Elements of CriticismConner & Cooke, 1836 - 504 psl. |
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10 psl.
... External Signs of Emotions and Passions , _Chap . XVI . Sentiments , · Chap . XVII . Language of Passion , 193 204 215 235 Chap . XVIII . Beauty of Language , 247 Sect . 1. Beauty of Language with respect to Sound , 248 Sect . 2 ...
... External Signs of Emotions and Passions , _Chap . XVI . Sentiments , · Chap . XVII . Language of Passion , 193 204 215 235 Chap . XVIII . Beauty of Language , 247 Sect . 1. Beauty of Language with respect to Sound , 248 Sect . 2 ...
11 psl.
... external is perceived till it first makes an impression upon the organ of sense , is an observation that holds equally true in every one of the external senses . But there is a difference as to our knowledge of that impression . In ...
... external is perceived till it first makes an impression upon the organ of sense , is an observation that holds equally true in every one of the external senses . But there is a difference as to our knowledge of that impression . In ...
12 psl.
... externally at the organ of sense , are conceived to be merely cor- poreal . The pleasures of the eye and the ear , being thus elevated above hose of the other external senses , acquire so much dignity as to become a laudable ...
... externally at the organ of sense , are conceived to be merely cor- poreal . The pleasures of the eye and the ear , being thus elevated above hose of the other external senses , acquire so much dignity as to become a laudable ...
13 psl.
... external objects without being sensible of the organic impression , is prepared for enjoying internal objects where there cannot be an organic impres- sion . Thus the Author of nature , by qualifying the human mind for a succession of ...
... external objects without being sensible of the organic impression , is prepared for enjoying internal objects where there cannot be an organic impres- sion . Thus the Author of nature , by qualifying the human mind for a succession of ...
19 psl.
... external objects , their inherent properties are not more remarkable , than the various relations that connect them together : cause and effect , contiguity in time or in place , high and low , prior and posterior , resemblance ...
... external objects , their inherent properties are not more remarkable , than the various relations that connect them together : cause and effect , contiguity in time or in place , high and low , prior and posterior , resemblance ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poem epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief heav'n Hence Henry IV Hexameter human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less light long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem principle produce pronounced proper proportion raised reader reason regularity relation relish resemblance respect rhyme Richard II rule scarcely scene sense sensible sentiments Shakspeare short syllables signify simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writers