Representative American Criticism of Shakespeare, 1830-1885University of Wisconsin--Madison, 1940 - 778 psl. |
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188 psl.
... symbol of some spiritual fact . Every appearance in nature corresponds to some state of the mind , and that state of the mind can only be described by presenting that natural appearance as its picture . # 41 Since the laws of moral ...
... symbol of some spiritual fact . Every appearance in nature corresponds to some state of the mind , and that state of the mind can only be described by presenting that natural appearance as its picture . # 41 Since the laws of moral ...
189 psl.
... symbols or forms as fugitive and convertible expressions . The power of the poet is in controlling these symbols ; in using every fact in Nature , however great and stable , as a fluent symbol , and in measuring his strength by the ...
... symbols or forms as fugitive and convertible expressions . The power of the poet is in controlling these symbols ; in using every fact in Nature , however great and stable , as a fluent symbol , and in measuring his strength by the ...
193 psl.
... Symbol , Imagination becomes the power to perceive this relationship . " The transcendentalist worships the symbol Imagination is the power to · symbolize that is , suggest the One by using the Many . The man of genius is such because ...
... Symbol , Imagination becomes the power to perceive this relationship . " The transcendentalist worships the symbol Imagination is the power to · symbolize that is , suggest the One by using the Many . The man of genius is such because ...
Turinys
Richard Henry Dana First American Exponent of | 17 |
The Romantic Treatment | 42 |
The Spread of German | 79 |
Nerodoma skirsnių: 6
Pagrindiniai terminai ir frazės
1872 Shakespeare aesthetic American criticism American Point Anatomizing of William Atlantic Monthly attitude beauty Boston Carlyle classic Coleridge and Schlegel Coleridge's concept conclusion contemporaries criticism of Shakespeare Dana Dana's democracy discussion drama edition essay expression Falstaff feeling feudal German critics Gervinus Giles Goethe Grant White Hamlet Hazlitt Hudson Ibid ideal ideas individual influence intellectual interpretation James Russell Lowell Journals King Lear language Lear Lectures literary literature Lowell felt Macbeth mind moral nineteenth century Norman Foerster old English Dramatists organic unity passion philosophy Poems poet poet's poetic Poetry and Imagination point of view principles Prose Ralph Waldo Emerson Richard Richard Grant White Richard Henry Dana romantic critics Shakespeare criticism Shakespeare's characters Shakespeare's genius Shakespeare's plays Shakespearean Criticism sonnets spirit Studies in Shakespeare symbol theory things thought tradition tragedy transcendental Transcendentalist true truth University Walt Whitman Whipple Wilkes William Shakespeare words writes wrote York