A History of Musical Thought

appear aria artistic Bach ballet bass Beethoven Berlioz Brahms called cantata century chant character choral chord Church classical Clavichord composer composition Concerto contemporary dance diatonic scale discord doubtless drama earlier English essential expression France French fugue German Gluck Greek Gregorian chant Handel harmony Haydn hexachord hymn idea imitation instrumental music interest isorhythmic Italian Johann Johannes Brahms kithara largely later Liszt madrigal melody minor modal modern modes motet movement Mozart musical thought musician natural neumes notation notes octave opera oratorio orchestra organ organum original overture Paris perfect performance phrase pianist piano pieces pipe pitch play poetic polyphonic popular produced relation rhythm rhythmic romantic romanticism Russian scale Schubert Schumann seen sense solo sonata sonata form song String Quartet structure style success suggested sung symphonic poem Symphony tenor tetrachord theme tion tone tonic Vienna violin voices Wagner whole words