Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 psl. Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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8 psl.
... close of their play and the fate of Hamlet as he achieves his tragic readiness at the close of his : " If it be now , ' tis not to come ; if it be not to come , it will be now ; if it be not now , yet it will come ” ( 5.2.209 ) . As a ...
... close of their play and the fate of Hamlet as he achieves his tragic readiness at the close of his : " If it be now , ' tis not to come ; if it be not to come , it will be now ; if it be not now , yet it will come ” ( 5.2.209 ) . As a ...
90 psl.
... close to its opposite , would shatter . Later , he will be more venturesome . His tragic heroes from Hamlet on are required to know the world in both perspectives simultaneously and the experience tears them apart , as it still does ...
... close to its opposite , would shatter . Later , he will be more venturesome . His tragic heroes from Hamlet on are required to know the world in both perspectives simultaneously and the experience tears them apart , as it still does ...
241 psl.
... close of a tragic play , or if not toward the close , at the climax , will normally appear a short scene or episode ( sometimes more than one ) of spiritual cross purposes : a scene in which the line of tragic speech and feeling ...
... close of a tragic play , or if not toward the close , at the climax , will normally appear a short scene or episode ( sometimes more than one ) of spiritual cross purposes : a scene in which the line of tragic speech and feeling ...
Turinys
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
action already Antony appears audience become beginning believe bring Brutus Caesar character Cleopatra close comes course critics death Desdemona dream earlier effect Elizabethan engagement experience eyes face fact fall father feeling figure Fool give Hamlet hand hear heart hero human imagination instance Juliet killed kind King Lear language later least light lines lives look lovers Macbeth madness marriage matter meaning mind mother moves murder mystery nature never night once opening Othello passion perhaps person play play's possibly present question reason relation Romeo says scene seems seen sense Shake Shakespeare simply sort speaks speech stage stand story tells theater thee thing thou thought tion tragedy tragic true turn University voice whole woman young