Shakespeare, Italy, and IntertextualityIntroduction; Part I: Theory And Practice; Part II: Culture And Tradition; Part III: Text And Ideology; Part IV: Stage And Spectacle; Afterword; Select bibliography; Index. |
Ką žmonės sako - Rašyti recenziją
Neradome recenzijų įprastose vietose.
Turinys
Seven types of intertextuality | 13 |
English bodies in Italian habits | 26 |
intertextuality in action | 45 |
the crisis of the aristocracy in Troilus | 59 |
Italian intertexts of the ransom plot | 73 |
the novella as mediator between | 107 |
luxury sodomy and miscegenation | 131 |
xenophobia and the erosion of tragedy | 145 |
Julius Caesar in the light | 176 |
Italian sources | 197 |
Shakespeare Middleton | 216 |
Roman art in Romeo and Juliet Antony | 227 |
art works apocrypha and the stage | 239 |
Italy as intertext | 253 |
259 | |
269 | |
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
according action Antony appear audience authority becomes body Book Brutus Caesar called Cambridge Cassius characters chess Cinthio's Cleopatra comedy contemporary course court critical cultural death desire direct disguised drama dramatic Duke early modern edition effect Elizabethan England English evident example fact figure final give given hand human important influence intertextual Italian Italy John language later lines London material means Measure for Measure mind moral narrative nature Night Notes offers original Othello Oxford painting particular performance Plautus play plot political Portia possible practice present provides reason reference relation Renaissance represents rhetorical Roman Rome scene seems sense Shakespeare shows Shrew significant soul stage statue story suggests tale theatre theatrical Thomas tradition tragedy translation Troilus University Press Venice whole