Rhetoric and Renaissance Culturede Gruyter, 2004 - 581 psl. Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance. |
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Rezultatai 1–3 iš 77
264 psl.
... Action . " 32 Approximately half a century earlier John Webster began his ' character ' entitled An excellent Actor ( 1615 ) in a similar fashion : Whatsoever is commendable in the grave Orator , is most exquisitly perfect in him ; for ...
... Action . " 32 Approximately half a century earlier John Webster began his ' character ' entitled An excellent Actor ( 1615 ) in a similar fashion : Whatsoever is commendable in the grave Orator , is most exquisitly perfect in him ; for ...
436 psl.
... action " in Shake- speare's time , which signifies not only action in a general sense but also specific play - acting , as well as scenic representation.2 Another meaning of the word identifies action with the rhetorical art of delivery ...
... action " in Shake- speare's time , which signifies not only action in a general sense but also specific play - acting , as well as scenic representation.2 Another meaning of the word identifies action with the rhetorical art of delivery ...
475 psl.
... Action is eloquence " ( Cor . III.ii.75–76 ) . These words define “ real action ” and “ ( rhe- torical ) acting " as a unity.49 Shakespeare , however , uses his protagonist Corio- lanus to prove the incompatibility of these aspects , an ...
... Action is eloquence " ( Cor . III.ii.75–76 ) . These words define “ real action ” and “ ( rhe- torical ) acting " as a unity.49 Shakespeare , however , uses his protagonist Corio- lanus to prove the incompatibility of these aspects , an ...
Turinys
Renaissance Culturology and Rhetoric | 1 |
Inventio Poetica | 111 |
Dispositio Poetica | 151 |
Autorių teisės | |
Nerodoma skirsnių: 7
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Pagrindiniai terminai ir frazės
action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie epideictic Essays Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago Iago's icon illustrate images imagination intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin libri literary literature London meditation metaphor mnemonic München nature orator oratory Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poetic poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare's Sidney Sidney's speaking speech Studies style stylistic theatrical theory things Thomas Thomas Sébillet tion tradition tragedy Trans translation treatise tropes verbal visual words York