Puslapio vaizdai
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A GENTLEWOMAN OF THE OLD SCHOOL.

HE lived in Georgian era too.

Most women then, if bards be true,
Succumbed to Routs and Cards, or grew
Devout and acid.

But hers was neither fate. She came
Of good west-country folk, whose fame
Has faded now. For us her name
Is "Madam Placid."

Patience or Prudence,-what you will,
Some prefix faintly fragrant still
As those old musky scents that fill

Our grandams' pillows;

And for her youthful portrait take

Some long-waist child of Hudson's make,

Stiffly at ease beside a lake

With swans and willows.

I keep her later semblance placed
Beside my desk,—'tis lawned and laced,
In shadowy sanguine stipple traced

By Bartolozzi;

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For her e'en Time grew debonair.
He, finding cheeks unclaimed of care,
With late-delayed faint roses there,

And lingering dimples,

Had spared to touch the fair old face,
And only kissed with Vauxhall grace

The soft white hand that stroked her lace,
Or smoothed her wimples.

So left her beautiful. Her age
Was comely as her youth was sage,
And yet she once had been the rage;—
It hath been hinted,

Indeed, affirmed by one or two,

Some spark at Bath (as sparks will do)
Inscribed a song to "Lovely Prue,"
Which Urban printed.

I know she thought; I know she felt;
Perchance could sum, I doubt she spelt,
She knew as little of the Celt

As of the Saxon;

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I know she played and sang, for yet
We keep the tumble-down spinet
To which she quavered ballads set
By Arne or Jackson.

Her tastes were not refined as ours;
She liked plain food and homely flowers,
Refused to paint, kept early hours,
Went clad demurely;

Her art was sampler-work design,
Fireworks for her were "vastly fine,”

Her luxury was elder-wine,

She loved that "purely."

She was renowned, traditions say,

For June conserves, for curds and whey,
For finest tea (she called it "tay"),

And ratafia;

She knew, for sprains, what bands to choose,
Could tell the sovereign wash to use

For freckles, and was learned in brews
As erst Medea.

Yet studied little.

She would read,

On Sundays, "Pearson on the Creed,"

Though, as I think, she could not heed
His text profoundly;

Seeing she chose for her retreat

The warm west-looking window-seat,

Where, if you chanced to raise your feet.
You slumbered soundly.

This, 'twixt ourselves. The dear old dame, In truth, was not so much to blame;

The excellent divine I name

Is scarcely stirring;

Her plain-song piety preferred

Pure life to precept. If she erred,

She knew her faults. Her softest word
Was for the erring.

If she had loved, or if she kept

Some ancient memory green, or wept
Over the shoulder-knot that slept
Within her cuff-box,

I know not. Only this I know,
At sixty-five she'd still her beau,
A lean French exile, lame and slow,
With monstrous snuff-box.

Younger than she, well-born and bred. She'd found him in St. Giles', half dead Of teaching French for nightly bed

And daily dinners;

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Starving, in fact, 'twixt want and pride;
And so, henceforth, you always spied
His rusty "pigeon-wings" beside
Her Mechlin pinners.

He worshipped her, you may suppose. She gained him pupils, gave him clothes, Delighted in his dry bon-mots

And cackling laughter;

And when, at last, the long duet

Of conversation and picquet

Ceased with her death, of sheer regret
He died soon after.

Dear Madam Placid! Others knew
Your worth as well as he, and threw
Their flowers upon your coffin too,
I take for granted.

Their loves are lost; but still we see
Your kind and gracious memory

Bloom yearly with the almond tree

The Frenchman planted.

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