The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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7 psl.
... ftage tradition , that his firt office in the theatre was that of Call - boy , or prompter's attendant ; whofe employment it is to give the performers notice to be ready to enter , as often as the bufinefs of the play requires their ...
... ftage tradition , that his firt office in the theatre was that of Call - boy , or prompter's attendant ; whofe employment it is to give the performers notice to be ready to enter , as often as the bufinefs of the play requires their ...
11 psl.
... ftage , foon diftinguished him , if not as an extraor- dinary actor , yet as an excellent writer . His name is printed , as the custom was in thofe times , amongst thofe of the other players , before fome old plays , but without any ...
... ftage , foon diftinguished him , if not as an extraor- dinary actor , yet as an excellent writer . His name is printed , as the custom was in thofe times , amongst thofe of the other players , before fome old plays , but without any ...
49 psl.
... ftage , who , left the auditory fhould be dulled with ferious courfes , which are merely weighty and material , in every act prefent fome Zany , with his mimick action to breed in the lefs capable mirth and laughter ; for they that ...
... ftage , who , left the auditory fhould be dulled with ferious courfes , which are merely weighty and material , in every act prefent fome Zany , with his mimick action to breed in the lefs capable mirth and laughter ; for they that ...
56 psl.
... ftage , it cannot but be a matter of great wonder that he fhould advance dramatick poetry fo far as he did . The fable is what is generally placed the first , among thofe that are reckoned the conftituent parts of a tragick or heroick ...
... ftage , it cannot but be a matter of great wonder that he fhould advance dramatick poetry fo far as he did . The fable is what is generally placed the first , among thofe that are reckoned the conftituent parts of a tragick or heroick ...
60 psl.
... ftage , is certainly an offence against thofe rules of manners proper to the perfons , that ought to be observed there . On the contrary , let us only look a little on the con- duct of Shakspeare . Hamlet is reprefented with the fame ...
... ftage , is certainly an offence against thofe rules of manners proper to the perfons , that ought to be observed there . On the contrary , let us only look a little on the con- duct of Shakspeare . Hamlet is reprefented with the fame ...
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The Plays of William Shakspeare– In Fifteen Volumes. With the Corrections ... William Shakespeare Visos knygos peržiūra - 1793 |
The Plays of William Shakspeare– In Fifteen Volumes. With the Corrections ... William Shakespeare Visos knygos peržiūra - 1793 |
The Plays of William Shakspeare– In Fifteen Volumes. With the Corrections ... William Shakespeare Visos knygos peržiūra - 1793 |
Pagrindiniai terminai ir frazės
acted addreffed afcertain againſt alfo alluded allufion appears becauſe Cæfar circumftance comedy Comedy of Errors compofitions copy criticks Cymbeline daughter death difcovered drama dramatick edition editor Engliſh faid fame fays fcene fecond folio feems feen feveral fhall fhew fhould fince firft firſt fome fometimes fpeare ftage fubject fuch fufficient fuppofe Hamlet Henry IV Hiftory himſelf impreffions inferted inftances Jonfon juft King Henry King Henry VI King Lear labour laft leaſt lefs likewife Loft Lover's Melancholy Macbeth MALONE moft moſt muft muſt obfcure obferved occafion old plays paffage perfons piece players pleaſe pleaſure poet poet's prefent printed probably publick publiſhed quarto reafon Regifter Richard Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſtage STEEVENS Stratford Stratford-upon-Avon theatre thefe themſelves theſe thofe Thomas thoſe tion Titus Andronicus tragedy tranflation Twelfth Night uſed verfes whofe William Shakspeare Winter's Tale words writer written
Populiarios ištraukos
186 psl. - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
221 psl. - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
179 psl. - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
221 psl. - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
47 psl. - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
176 psl. - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
220 psl. - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
192 psl. - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
358 psl. - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
184 psl. - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.