Elements of Criticism, 1 tomas |
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xviii psl.
... tone equally distant from the turbulence of passion , and the pleasure as existing in the nostrils along with the impression made by the rose upon that organ . And the same will be the result of experiments with respect to every feeling ...
... tone equally distant from the turbulence of passion , and the pleasure as existing in the nostrils along with the impression made by the rose upon that organ . And the same will be the result of experiments with respect to every feeling ...
xix psl.
... tone of mind , nothing can be more happily contriv- ed than the exhilarating pleasures of the eye and ear . On the other hand , any intense exercise of intellectual powers , becomes painful by overstraining the mind : cessation from ...
... tone of mind , nothing can be more happily contriv- ed than the exhilarating pleasures of the eye and ear . On the other hand , any intense exercise of intellectual powers , becomes painful by overstraining the mind : cessation from ...
31 psl.
... tone of mind : for a subject that accords with that tone is always welcome . Thus , in good spirits , a cheerful subject will be introduced by the slightest connexion ; and one that is melancholy , no less readily in low spirits : an ...
... tone of mind : for a subject that accords with that tone is always welcome . Thus , in good spirits , a cheerful subject will be introduced by the slightest connexion ; and one that is melancholy , no less readily in low spirits : an ...
53 psl.
... tone of the language ; that we may not , says our author , introduce among the Grecian vocables , words that sound like those of Phrygia or Scythia . + As the benevolence of many human actions is beyond the possibility VOL . I. 7 Of ...
... tone of the language ; that we may not , says our author , introduce among the Grecian vocables , words that sound like those of Phrygia or Scythia . + As the benevolence of many human actions is beyond the possibility VOL . I. 7 Of ...
76 psl.
... tone , whether directed to the same or to a different object ; for the mind , heated by any pas- sion , is , in that state , more susceptible of a new impres- sion in a similar tone , than when cool and quiescent . It is a common ...
... tone , whether directed to the same or to a different object ; for the mind , heated by any pas- sion , is , in that state , more susceptible of a new impres- sion in a similar tone , than when cool and quiescent . It is a common ...
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Pagrindiniai terminai ir frazės
action Æneid agreeable anger animal love appear appetite arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree dignity disagreeable distress doth effect elevation emotion raised emotions and passions emotions produced example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hand hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression impropriety inflamed influence Jane Shore jects Julius Cæsar kind less manner means mind motion Mourning Bride never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety qualities racter reason reflection relation relish remarkable resemblance respect Richard II ridicule riety risible scarce selfish sense sensible sentiments Shakspeare sion slight spectator sublime surprise taste termed things thou thought tion tone tural uniformity variety words
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