Elements of Criticism, 1 tomas |
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xiii psl.
... Sounds to raise Emotions and Pas- 29 41 4,3 sions , 55 3. Causes of the Emotions of Joy and Sor- row , 59 62 4 VOL . I. 4. Sympathetic Emotion of Virtue and its cause 5. In many instances one Emotion is produc- tive of another . - The ...
... Sounds to raise Emotions and Pas- 29 41 4,3 sions , 55 3. Causes of the Emotions of Joy and Sor- row , 59 62 4 VOL . I. 4. Sympathetic Emotion of Virtue and its cause 5. In many instances one Emotion is produc- tive of another . - The ...
xv psl.
... Sound , 2. Beauty of Language with respect to Sig- nification , 3. Beauty of Language from a resemblance between Sound and Signification , 4. Versification , XIX . Comparisons , XX . Figures , Sect . . Page 7 .9 17 62 73 130 · 162 · 1 ...
... Sound , 2. Beauty of Language with respect to Sig- nification , 3. Beauty of Language from a resemblance between Sound and Signification , 4. Versification , XIX . Comparisons , XX . Figures , Sect . . Page 7 .9 17 62 73 130 · 162 · 1 ...
xviii psl.
... existence at the ends of the fingers , without once dreaming of its existing any where else . languor of indolence : and by that tone are perfectly xviii INTRODUCTION . Beauty of Language, Sect Beauty of Language with respect Sound,
... existence at the ends of the fingers , without once dreaming of its existing any where else . languor of indolence : and by that tone are perfectly xviii INTRODUCTION . Beauty of Language, Sect Beauty of Language with respect Sound,
xx psl.
... sounds , such as the singing of birds , or the murmuring of a brook . Nature here , the artificer of the ob- ject , as well as of the percipient , hath accurately suited them to each other . But of a poem , a cantata , a picture , or ...
... sounds , such as the singing of birds , or the murmuring of a brook . Nature here , the artificer of the ob- ject , as well as of the percipient , hath accurately suited them to each other . But of a poem , a cantata , a picture , or ...
xxii psl.
... , yet so necessa- to these last is a sound and correct logic , that without it they are no " better than warbling trifles . " Hermes , p . 6 . ry Nor ought it to be overlooked , that the reasonings xxii INTRODUCTION .
... , yet so necessa- to these last is a sound and correct logic , that without it they are no " better than warbling trifles . " Hermes , p . 6 . ry Nor ought it to be overlooked , that the reasonings xxii INTRODUCTION .
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Pagrindiniai terminai ir frazės
action Æneid agreeable anger animal love appear appetite arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree dignity disagreeable distress doth effect elevation emotion raised emotions and passions emotions produced example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hand hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression impropriety inflamed influence Jane Shore jects Julius Cæsar kind less manner means mind motion Mourning Bride never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety qualities racter reason reflection relation relish remarkable resemblance respect Richard II ridicule riety risible scarce selfish sense sensible sentiments Shakspeare sion slight spectator sublime surprise taste termed things thou thought tion tone tural uniformity variety words
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