Elements of Criticism, 1 tomas |
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Rezultatai 1–5 iš 59
xiii psl.
... Perceptions and Ideas in a train , II . Emotions and Passions , Part 1. Causes unfolded of the Emotions and Pas- Sect . sions : 1. Difference between Emotion and Passion . -Causes that are the most common and the most general ...
... Perceptions and Ideas in a train , II . Emotions and Passions , Part 1. Causes unfolded of the Emotions and Pas- Sect . sions : 1. Difference between Emotion and Passion . -Causes that are the most common and the most general ...
xix psl.
... perceptions are of external objects , and our first attachments are to them . Organic pleasures take the lead but the mind , gradually ripening , relisheth more and more the pleasures of the eye and ear ; which ap- proach the purely ...
... perceptions are of external objects , and our first attachments are to them . Organic pleasures take the lead but the mind , gradually ripening , relisheth more and more the pleasures of the eye and ear ; which ap- proach the purely ...
xxi psl.
... perception of what ob- jects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a foun- dation for reasoning upon the taste of any individual , and for passing sentence upon it : where it is ...
... perception of what ob- jects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a foun- dation for reasoning upon the taste of any individual , and for passing sentence upon it : where it is ...
xxvii psl.
... , such as may express any number of parts less than the whole . This he thinks is signified by the title he has chosen , viz . ELEMENTS OF CRITICISM . ELEMENTS OF CRITICISM . CHAPTER I. Perceptions and Ideas in INTRODUCTION . xxvii.
... , such as may express any number of parts less than the whole . This he thinks is signified by the title he has chosen , viz . ELEMENTS OF CRITICISM . ELEMENTS OF CRITICISM . CHAPTER I. Perceptions and Ideas in INTRODUCTION . xxvii.
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Pagrindiniai terminai ir frazės
action Æneid agreeable anger animal love appear appetite arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree dignity disagreeable distress doth effect elevation emotion raised emotions and passions emotions produced example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hand hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression impropriety inflamed influence Jane Shore jects Julius Cæsar kind less manner means mind motion Mourning Bride never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety qualities racter reason reflection relation relish remarkable resemblance respect Richard II ridicule riety risible scarce selfish sense sensible sentiments Shakspeare sion slight spectator sublime surprise taste termed things thou thought tion tone tural uniformity variety words
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