Elements of Criticism, 2 tomasScott and Seguine, 1819 |
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6 psl.
... perception . Language possesseth a beauty su- perior greatly in degree , of which we are eminent- ly sensible when a thought is communicated with perspicuity and sprightliness . This beauty of lan- guage , arising from its power of ...
... perception . Language possesseth a beauty su- perior greatly in degree , of which we are eminent- ly sensible when a thought is communicated with perspicuity and sprightliness . This beauty of lan- guage , arising from its power of ...
47 psl.
... perception , it is commu- nicated to the very sound of the words , so as in ap- pearance to improve the music of the period . But as this curious subject comes in more properly af- terward , it is sufficient at present to appeal to ex ...
... perception , it is commu- nicated to the very sound of the words , so as in ap- pearance to improve the music of the period . But as this curious subject comes in more properly af- terward , it is sufficient at present to appeal to ex ...
72 psl.
... perceive , that these rules avail little in point of instruction : the very words he employs are not intelligible , except to those who beforehand are acquainted with the subject . To vary the scene a little , I propose to close with a ...
... perceive , that these rules avail little in point of instruction : the very words he employs are not intelligible , except to those who beforehand are acquainted with the subject . To vary the scene a little , I propose to close with a ...
83 psl.
... the disagreeableness here be connected with the sense only , it is by an easy transition of perceptions transferred to the sound ; VOL . II . 11 by which means , we conceive a line to be SECT . IV . ] Beauty of Language . 83.
... the disagreeableness here be connected with the sense only , it is by an easy transition of perceptions transferred to the sound ; VOL . II . 11 by which means , we conceive a line to be SECT . IV . ] Beauty of Language . 83.
165 psl.
... men their authors , have but one way of coming in- to the world ; but there are ten thousand to go out of it , and re- turn no more . Tale of a Tub And in this the world may perceive the difference between CHAP . 19. ] 165 Comparisons .
... men their authors , have but one way of coming in- to the world ; but there are ten thousand to go out of it , and re- turn no more . Tale of a Tub And in this the world may perceive the difference between CHAP . 19. ] 165 Comparisons .
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Pagrindiniai terminai ir frazės
abstract accent action admit Æneid agreeable allegory appear beauty blank verse capital Carm cause Chapter circumstance colour comparison composition confined connected connexion couplet Demetrius Phalereus distinguished effect elevation emotions employed Eneid epic poem epic poetry equal Euripides expression figure of speech Fingal foregoing garden give hath Hence Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression ject kind language less light long syllable manner means melody metaphor mind motion nature never object observed ornaments Paradise Lost passion pause perceived perception period personification pleasure poet principal pronounced proper proportion reader reason regularity relation relish resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sion sound spectator Spondees substantive taste termed thee thing thou thought tion tragedy tree variety verb verse words writer
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