Dramatic Table Talk: Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography, 1 tomasRichard Ryan J. Knight & H. Lacey, 1825 |
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Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. HARVARD UNIVERSITY LIBRARY ACADEMIA HARVARDIANA NO CO ליפורד . ECCLESI NYAON THE DRAMATIC LIBRARY OF ROBERT W. LOWE OF LONDON ENGLAND ...
Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. HARVARD UNIVERSITY LIBRARY ACADEMIA HARVARDIANA NO CO ליפורד . ECCLESI NYAON THE DRAMATIC LIBRARY OF ROBERT W. LOWE OF LONDON ENGLAND ...
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Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. P Simpleton DRAMATIC TABLE TALK OR SCENES SITUATIONS & ADVENTURES , SERIOUS.
Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. P Simpleton DRAMATIC TABLE TALK OR SCENES SITUATIONS & ADVENTURES , SERIOUS.
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Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. DRAMATIC TABLE TALK OR SCENES SITUATIONS & ADVENTURES , SERIOUS & COMIC , IN THEATRICAL HISTORY & BIOGRAPHY . VOL.1 . Globe Theatre ...
Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. DRAMATIC TABLE TALK OR SCENES SITUATIONS & ADVENTURES , SERIOUS & COMIC , IN THEATRICAL HISTORY & BIOGRAPHY . VOL.1 . Globe Theatre ...
xii psl.
Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. naturally thrown into his play ; he learnt to master his vivacity , and regulate its movements ; yet he dared not , at first ...
Or, Scenes, Situations, & Adventures, Serious & Comic, in Theatrical History & Biography Richard Ryan. naturally thrown into his play ; he learnt to master his vivacity , and regulate its movements ; yet he dared not , at first ...
xiv psl.
... scene is natural , and accords with the known character of Nero ; but , in the next , we find him apeing the gallantry of a cour tier of Louis XIV . This scene , however , resumes , towards the end , its true colours . It is the begin ...
... scene is natural , and accords with the known character of Nero ; but , in the next , we find him apeing the gallantry of a cour tier of Louis XIV . This scene , however , resumes , towards the end , its true colours . It is the begin ...
Kiti leidimai - Peržiūrėti viską
Dramatic Table Talk– Or, Scenes, Situations, & Adventures, Serious ..., 1 tomas Richard Ryan Visos knygos peržiūra - 1825 |
Dramatic Table Talk– Or, Scenes, Situations, & Adventures, Serious ..., 1 tomas Richard Ryan Trumpų ištraukų rodinys - 1825 |
Pagrindiniai terminai ir frazės
acted actor actress admirable Andrew Cherry appeared applause audience Baron Barry Beggar's Opera Ben Jonson Cæsar called celebrated character comedian comedy Covent Garden Theatre Crebillon curtain death Drama dressed Drury Lane Theatre Duke entertainment eyes favourite Foote France French Garrick Gens d'armes gentlemen give grace guineas Harlequin heart Hillyard Hogarth honour humour imitated Joe Grimaldi John Kemble Jonson Julius Cæsar Kean King Lady laugh Lekain London LOPE DE RUEDA Lord MADEMOISELLE MARS Magistrates Majesty manager manner Molière nature never night obliged Opera paint passion performed person personage piece play players poet possessed pounds present Queen racters received replied returned scene sensibility sent servant Shakspeare Shakspeare's shew Shuter Siddons sion soul SPRANGER BARRY stage talents Talma tavern tears theatrical thee thou tion took tragedian tragedy tragic voice words
Populiarios ištraukos
xxii psl. - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others.
xxii psl. - ... accent of christians, nor the gait of christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
246 psl. - This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me; and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me.
xxi psl. - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue ; but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
xxii psl. - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action ; with this special observance, that you o'er-step not the modesty of nature : for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure.
102 psl. - Weep with me, all you that read This little story : And know, for whom a tear you shed Death's self is sorry. 'Twas a child that so did thrive In grace and feature, As heaven and nature seemed to strive Which owned the creature.
102 psl. - Parcae thought him one, He played so truly. So by error to his fate They all consented; But viewing him since (alas, too late) They have repented. And have sought (to give new birth) In baths to steep him; But, being so much too good for earth, Heaven vows to keep him.
187 psl. - Be absolute for death; either death, or life, Shall thereby be the sweeter. Reason thus with life,— If I do lose thee, I do lose a thing That none but fools would keep...
25 psl. - He began on it ; and" when first he mentioned it to Swift, the doctor did not much like the project. As he carried it on, he showed what he wrote to both of us, and we now and then gave a correction, or a word or two of advice ; but it was wholly of his own writing.
xxi psl. - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb-shows and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: pray you, avoid it.