The Principles of Criticism: An Introduction to the Study of LiteratureG. Allen, 1923 - 256 psl. |
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... CRITICISM . I. PLATO CONSIDERS LITERATURE AS A VEHICLE OF KNOWLEDGE II . ARISTOTLE CONSIDERS POETRY AS A BRANCH OF ART · PAGE I • 22 - III . REVIVAL OF FORMAL CRITICISM · APPLI- CATION OF ARISTOTLE'S PRINCIPLES BY ADDISON TO ' PARADISE ...
... CRITICISM . I. PLATO CONSIDERS LITERATURE AS A VEHICLE OF KNOWLEDGE II . ARISTOTLE CONSIDERS POETRY AS A BRANCH OF ART · PAGE I • 22 - III . REVIVAL OF FORMAL CRITICISM · APPLI- CATION OF ARISTOTLE'S PRINCIPLES BY ADDISON TO ' PARADISE ...
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... critical principles . By the application of this test we can discern merit in works of literature , which , being entirely defective on the side of construction , yield no reply to any test of formal or artistic canons . Defective in ...
... critical principles . By the application of this test we can discern merit in works of literature , which , being entirely defective on the side of construction , yield no reply to any test of formal or artistic canons . Defective in ...
47 psl.
... criticism - the comprehension of what is best and most permanent in the works of great writers ? For how could Aristotle's tragic measure con- tain the fulness of the poetic ... FORMAL CRITICISM - APPLICATION OF ARIS- ARISTOTLE AND POETRY 47.
... criticism - the comprehension of what is best and most permanent in the works of great writers ? For how could Aristotle's tragic measure con- tain the fulness of the poetic ... FORMAL CRITICISM - APPLICATION OF ARIS- ARISTOTLE AND POETRY 47.
48 psl.
An Introduction to the Study of Literature William Basil Worsfold. CHAPTER III REVIVAL OF FORMAL CRITICISM - APPLICATION OF ARIS- TOTLE'S PRINCIPLES BY ADDISON TO ' PARADISE LOST ' INCOMPLETE and partial , however , as was this formal ...
An Introduction to the Study of Literature William Basil Worsfold. CHAPTER III REVIVAL OF FORMAL CRITICISM - APPLICATION OF ARIS- TOTLE'S PRINCIPLES BY ADDISON TO ' PARADISE LOST ' INCOMPLETE and partial , however , as was this formal ...
49 psl.
... literary harvest of the Renaissance had been most ample , one mind had penetrated the secret of poetic success , and one voice had stated with perfect clearness the philosophic basis which gives superior truth and ... FORMAL CRITICISM 49.
... literary harvest of the Renaissance had been most ample , one mind had penetrated the secret of poetic success , and one voice had stated with perfect clearness the philosophic basis which gives superior truth and ... FORMAL CRITICISM 49.
Kiti leidimai - Peržiūrėti viską
The Principles of Criticism– An Introduction to the Study of Literature William Basil Worsfold Visos knygos peržiūra - 1897 |
The Principles of Criticism– An Introduction to the Study of Literature William Basil Worsfold Visos knygos peržiūra - 1902 |
The Principles of Criticism– An Introduction to the Study of Literature William Basil Worsfold Visos knygos peržiūra - 1897 |
Pagrindiniai terminai ir frazės
actor Addison æsthetic Apollo Belvedere appeal applies Aristotle Aristotle's artist aspect become character characteristic composition conception contemporary Cousin creative literature degree difference drama effect element Elizabethan embodied emotions English Epic epic poetry Essays excellence expression external fact faculty feeling fiction formal criticism forms of poetry genius George Eliot gives Greek Greek tragedy harmony Herbert Spencer Homer human action human song idea of beauty ideal imagination imitation interpretative power knowledge Laocoon less limited literary manifested mankind Matthew Arnold Maurice de Guérin means merit method mind modern moral beauty nature novel objects painter painting Paradise Lost passages perception philosophy physical picture Plato pleasure plot poem poet poetic poetic justice present principle produced prose reader reason recognised represented respect says scene sensation sense sentiment Shakespeare Sophocles soul spectator spiritual stage representation things thought tion tragedy truth unity vehicle verse words Wordsworth writes
Populiarios ištraukos
50 psl. - The use of this feigned history hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it, the world being in proportion inferior to the soul...
170 psl. - I have seen A curious child, who dwelt upon a tract Of inland ground, applying to his ear The convolutions of a smooth-lipped shell ; To which, in silence hushed, his very soul Listened intensely ; and his countenance soon Brightened with joy ; for from within were heard Murmurings, whereby the monitor expressed Mysterious union with its native sea.
176 psl. - Calm soul of all things! make it mine To feel, amid the city's jar, That there abides a peace of thine, Man did not make, and cannot mar. The will to neither strive nor cry, The power to feel with others give! Calm, calm me more! nor let me die Before I have begun to live.
137 psl. - ... the grand work of literary genius is a work of synthesis and exposition, not of analysis and discovery; its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideas, when it finds itself in them...
168 psl. - Farewell ! a long farewell, to all my greatness ! This is the state of man : to-day he puts forth The tender leaves of hope, to-morrow blossoms, And bears his blushing honours thick upon him . The third day comes a frost, a killing frost, And, — when he thinks, good easy man, full surely His greatness is a-ripening, — nips his root, And then he falls, as I do.
86 psl. - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.
156 psl. - The grand power of poetry is its interpretative power ; by which I mean, not a power of drawing out in black and white an explanation of the mystery of the universe, but the power of so dealing with things as to awaken in us a wonderfully full, new, and intimate sense of them, and of our relations with them.
154 psl. - The sum of what was said is, that the Poet is chiefly distinguished from other men by a greater promptness to think and feel without immediate external excitement, and a greater power in expressing such thoughts and feelings as are produced in him in that manner.
154 psl. - Wordsworth finely and truly calls poetry "the breath and finer spirit of all knowledge"; our religion, parading evidences such as those on which the popular mind relies now; our philosophy, pluming itself on its reasonings about causation and finite and infinite being; what are they but the shadows and dreams and false shows of knowledge ? The day will come when we shall wonder at ourselves for having trusted to them, for having taken them seriously; and the more we perceive their hollowness the...
177 psl. - Equal-born ? O yes, if yonder hill be level with the flat. Charm us, Orator, till the Lion look no larger than the Cat, Till the Cat thro' that mirage of overheated language loom Larger than the Lion, — Demos end in working its own doom.