The Principles of Criticism: An Introduction to the Study of Literature

actor Addison æsthetic Apollo Belvedere appeal applies Aristotle Aristotle's artist aspect become character characteristic composition conception contemporary Cousin creative literature degree difference drama effect element Elizabethan embodied emotions English Epic epic poetry Essays excellence expression external fact faculty feeling fiction formal criticism forms of poetry genius George Eliot gives Greek Greek tragedy harmony Herbert Spencer Homer human action human song idea of beauty ideal imagination imitation interpretative power knowledge Laocoon less limited literary manifested mankind Matthew Arnold Maurice de Guérin means merit method mind modern moral beauty nature novel objects painter painting Paradise Lost passages perception philosophy physical picture Plato pleasure plot poem poet poetic poetic justice present principle produced prose reader reason recognised represented respect says scene sensation sense sentiment Shakespeare Sophocles soul spectator spiritual stage representation things thought tion tragedy truth unity vehicle verse words Wordsworth writes