Lectures on LiteratureColumbia University Press, 1911 - 404 psl. |
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ancient Arabic artistic beauty better Cæsar called century B.C. character characteristics Chinese Chinese Literature Christian Cicero civilization Classical Columbia University comedy Confucian Confucius Corneille cosmopolitan criticism Dante dialect drama eighteenth century elements English Literature epic epic poetry epoch Europe expression France French French Literature genius German Goethe Greek Literature hero human ideal ideas individual influence Italian Italy Kasidah language later Latin less Litera literary living Lope de Vega lyric masterpieces medieval Middle Ages mind modern Molière moral movement nature noble origin passion period philosophical plays poem poet poetic poetry political produced Professor prose race Racine religious Renaissance Roman Romanticism Rome rules Russian Literature Sainte-Beuve Sanskrit Semitic sense Shakspere social soul Spain Spanish spirit story style taste things thought tion to-day tradition tragedy translation true ture verse Voltaire whole words writers
Populiarios ištraukos
294 psl. - The splendor falls on castle walls And snowy summits old in story ; The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying.
144 psl. - WHY dois your brand sae drap wi bluid, Edward, Edward, Why dois your brand sae drap wi bluid, And why sae sad gang yee O ? " " OI hae killed my hauke sae guid, Mither, mither, OI hae killed my hauke sae guid, And I had nae mair bot hee O." 2. " Your haukis bluid was nevir sae reid, Edward, Edward, Your haukis bluid was nevir sae reid, My deir son I tell thee O.
166 psl. - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
142 psl. - I, according to my copy, have done set it in print, to the intent that noble men may see and learn the noble acts of chivalry, the gentle and virtuous deeds, that some knights used in those days, by which they came to honour, and how they that were vicious were punished and oft put to shame and rebuke...
181 psl. - ... exquisitely noble ; that the language is often very sounding, and that the whole is written with a true poetical spirit. If this song had been written in the Gothic manner, which is the delight of all our little wits, whether writers or readers, it would not have hit the taste of so many ages, and have pleased the readers of all ranks and conditions. I shall only beg pardon for such a profusion of Latin quotations; which I should not have made use of, but that I feared my own judgment would have...
361 psl. - Goethe's own words, when he says that the critic's first and foremost duty is to make plain to himself "what the poet's aim really and truly was, how the task he had to do stood before his eye, and how far, with such materials as were afforded him, he has fulfilled it.
120 psl. - ... traversed throughout in mind and spirit the immeasurable universe; whence he returns a conqueror to tell us what can, what cannot come into being; in short on what principle each thing has its powers defined, its deepset boundary mark.
144 psl. - Your steid was auld, and ye hae gat mair, Edward, Edward, Your steid was auld, and ye hae gat mair, Sum other dule * ye drie * O.
181 psl. - I shall here, according to my promise, be more particular, and show that the sentiments in that ballad are extremely natural and poetical, and full of the majestic simplicity which we admire in the greatest of the ancient poets; for which reason I shall quote several passages of it, in which the thought is altogether the same with what we meet in several passages of the JEneid...
364 psl. - Poets do not really write epics, pastorals, lyrics, however much they may be deceived by these false abstractions; they express themselves, and this expression is their only form. There are not, therefore, only three, or ten, or a hundred literary kinds; there are as many kinds as there are individual poets.