The Plays of William Shakespeare: In Twenty-one Volumes, with the Corrections and Illustrations of Various Commentators, to which are Added Notes, 8 tomasJ. Nichols and Son, 1813 |
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... he is here at the door , and importunes access to you . OLI . Call him in . [ Exit DENNIS . ] - Twill be a good way ; and to - morrow the wrestling is . Enter CHARLES . CHA . Good morrow to your worship SC . I. AS YOU LIKE IT . 11.
... he is here at the door , and importunes access to you . OLI . Call him in . [ Exit DENNIS . ] - Twill be a good way ; and to - morrow the wrestling is . Enter CHARLES . CHA . Good morrow to your worship SC . I. AS YOU LIKE IT . 11.
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... [ Exit . OLI . Farewell good Charles . - Now will I stir this gamester : * I hope , I shall see an end of him for my soul , yet I know not why , hates nothing this gamester : ] Gamester , in the present instance , and some others , does ...
... [ Exit . OLI . Farewell good Charles . - Now will I stir this gamester : * I hope , I shall see an end of him for my soul , yet I know not why , hates nothing this gamester : ] Gamester , in the present instance , and some others , does ...
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... Exit . SCENE II . A Lawn before the Duke's Palace . Enter ROSALIND and CELIA . CEL . I pray thee , Rosalind , sweet my coz , be merry . Ros . Dear Celia , I show more mirth than I am mistress of ; and would you yet I were merrier ...
... Exit . SCENE II . A Lawn before the Duke's Palace . Enter ROSALIND and CELIA . CEL . I pray thee , Rosalind , sweet my coz , be merry . Ros . Dear Celia , I show more mirth than I am mistress of ; and would you yet I were merrier ...
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... Exit LE BEAU . Thus must I from the smoke into the smother ; From tyrant duke , unto a tyrant brother :But heavenly Rosalind ! [ Exit . shorter and taller could never have been confounded by either the eye or the ear . The present ...
... Exit LE BEAU . Thus must I from the smoke into the smother ; From tyrant duke , unto a tyrant brother :But heavenly Rosalind ! [ Exit . shorter and taller could never have been confounded by either the eye or the ear . The present ...
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... Exit SILVIUS . Ros . Alas , poor shepherd ! searching of thy wound , 6 I have by hard adventure found mine own . TOUCH . And I mine : I remember , when I was in love , I broke my sword upon a stone , and bid him take that for coming ...
... Exit SILVIUS . Ros . Alas , poor shepherd ! searching of thy wound , 6 I have by hard adventure found mine own . TOUCH . And I mine : I remember , when I was in love , I broke my sword upon a stone , and bid him take that for coming ...
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alluded allusion Antony and Cleopatra Audrey believe Bertram better brother called Celia Clown comedy COUNT Countess Cymbeline daughter Diana doth DUKE F editor emendation Enter Exeunt Exit fair father fear fool forest fortune foul give grace Hanmer hast hath heart heaven Helena HENLEY honour humour Jaques JOHNSON King Henry knave lady Lafeu live lord Love's Labour's Lost Macbeth madam maid MALONE marry MASON meaning Measure for Measure mistress nature never old copy reads Orlando Othello Parolles passage Phebe play poet poor pr'ythee pray quintain ring Rosalind Rousillon SCENE second folio sense Shakspeare signifies SILVIUS speak STEEVENS suppose swear sweet tell thee THEOBALD thine thing thou art TOUCH Touchstone Troilus and Cressida TYRWHITT VIII virginity virtue WARBURTON wife Winter's Tale woman word young youth