Notes and Comments Upon Certain Plays and Actors of Shakespeare: With Criticisms and CorrespondenceCarleton, 1864 - 353 psl. |
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3 psl.
... scene be acted over , In states unborn , and accents yet unknown . " Julius Cæsar , Act III . THIRD EDITION . NEW YORK : Carleton , Publisher , 413 Broadway . ( LATE RUDD & CARLETON . ) M DCCC LXIV . Entered according to Act of Congress ...
... scene be acted over , In states unborn , and accents yet unknown . " Julius Cæsar , Act III . THIRD EDITION . NEW YORK : Carleton , Publisher , 413 Broadway . ( LATE RUDD & CARLETON . ) M DCCC LXIV . Entered according to Act of Congress ...
20 psl.
... * The first folio reads " poor man's . " Also , again " gives my soul the greatest spurn . " [ Titus Andron . , Act 3 , Scene 1 . clusive of the incongruous medley of slings , arrows , 20 HAMLET'S SOLILOQUY ON SUICIDE .
... * The first folio reads " poor man's . " Also , again " gives my soul the greatest spurn . " [ Titus Andron . , Act 3 , Scene 1 . clusive of the incongruous medley of slings , arrows , 20 HAMLET'S SOLILOQUY ON SUICIDE .
48 psl.
... scene , some idea of Ophelia's duplicity and unfair , not to say unfaithful or ungenerous , position with respect to him , when he commences to interrogate , and she to equivocate - he to animadvert and she at last to answer his direct ...
... scene , some idea of Ophelia's duplicity and unfair , not to say unfaithful or ungenerous , position with respect to him , when he commences to interrogate , and she to equivocate - he to animadvert and she at last to answer his direct ...
55 psl.
... scenes familiar in their lives , what may be their righteous limits , license , faculties of communicating what they know or desire , of perceiving what occurs upon this earth , or of rendering themselves only visible to certain persons ...
... scenes familiar in their lives , what may be their righteous limits , license , faculties of communicating what they know or desire , of perceiving what occurs upon this earth , or of rendering themselves only visible to certain persons ...
73 psl.
... scenes ; but then the physical training for Lear included little or nothing towards the adaption of my person for representing Hamlet : — " Our strange garments cleave not to their mould , But with the aid of use , " Consequently I ...
... scenes ; but then the physical training for Lear included little or nothing towards the adaption of my person for representing Hamlet : — " Our strange garments cleave not to their mould , But with the aid of use , " Consequently I ...
Kiti leidimai - Peržiūrėti viską
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1863 |
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1864 |
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1863 |
Pagrindiniai terminai ir frazės
action actor of Hamlet Adams admirable afterwards appear audience bare bodkin bear blood bodkin Brabantio Bucknill Cæsar Cassio character of Hamlet circulation conception conscience Coriolanus Covent Garden coward critics DEAR SIR-I death Desdemona drama Drury Lane Edmund Kean effect England expression Falstaff father folio fool Forrest genius Ghost Hackett Harvey Harvey's heart Henry honor Horatio humor Iago idea imagination JAMES H JAMES HENRY HACKETT John Kemble John Quincy Adams Juliet Julius Cæsar Kean's Kemble King Lear Lear's letter London lord Macready Macready's madness manner mind Moor moral nature never night novel occasion Ophelia original Othello Park Theatre passion performance person perusal play poet Polonius Prince racter reason reference remarks render respect Roderigo says scene seems sense Shake Shakespeare Sir John sleave sleep sleeve soliloquy soul speare's spirit stage thee thou thought tion tragedy undiscovered uttered whilst word York
Populiarios ištraukos
15 psl. - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
216 psl. - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
242 psl. - In following him, I follow but myself; Heaven is my judge, not I for love and duty, But seeming so, for my peculiar end : For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, 'tis not long after But I will wear my heart upon my sleeve For daws to peck at : I am not what I am.
149 psl. - I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw.
170 psl. - Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out Contagion to this world : now could I drink hot blood, And do such bitter business as the day Would quake to look on.
53 psl. - I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this. — the play's the thing Wherein I'll catch the conscience of the king.
160 psl. - HAMLET Do you see yonder cloud that's almost in shape of a camel ? POLONIUS By the mass and 'tis like a camel indeed HAMLET Methinks it is like a weasel POLONIUS It is backed like a weasel HAMLET Or like a whale ? POLONIUS Very like a whale...
45 psl. - At gaming, swearing ; or about some act That has no relish of salvation in't ; — • Then trip him, that his heels may kick at heaven ; And that his soul may be as damn'd and black As hell, whereto it goes.
213 psl. - To wake the soul by tender strokes of art, To raise the genius, and to mend the heart, To make mankind, in conscious virtue bold, Live o'er each scene, and be what they behold...
108 psl. - And my poor fool is hang'd ! No, no, no life ! Why should a dog, a horse, a rat, have life, And thou no breath at all ? Thou 'It come no more, Never, never, never, never, never ! Pray you, undo this button : thank you, sir. Do you see this ? Look on her, look, her lips, Look there, look there ! [Dies.