Notes and Comments Upon Certain Plays and Actors of Shakespeare: With Criticisms and CorrespondenceCarleton, 1864 - 353 psl. |
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38 psl.
... were not quite clear in their inception , and had been rather conglomerated in their original expression ; as he continued to separate and to arrange them in a more logical and intelligible order : for 38 HAMLET'S SOLILOQUY ON SUICIDE .
... were not quite clear in their inception , and had been rather conglomerated in their original expression ; as he continued to separate and to arrange them in a more logical and intelligible order : for 38 HAMLET'S SOLILOQUY ON SUICIDE .
64 psl.
... continued through five of the seven ages of the drama of life , gaining upon the judgment as it loses to the imagination , seduced me to expatiate at a most intellectual and lovely convivial board , upon my views of the character of ...
... continued through five of the seven ages of the drama of life , gaining upon the judgment as it loses to the imagination , seduced me to expatiate at a most intellectual and lovely convivial board , upon my views of the character of ...
119 psl.
... continued to have until 1824 - only the Park The- atre . I was too young when I first saw Mr. Cooper's Hamlet and had too vague a conception of the cha- racter to criticise that performance ; though I well remember that his voice was ...
... continued to have until 1824 - only the Park The- atre . I was too young when I first saw Mr. Cooper's Hamlet and had too vague a conception of the cha- racter to criticise that performance ; though I well remember that his voice was ...
121 psl.
... continued to be , during visits which were repeated , occasionally protracted , and were seldom separated by intervals longer than a theatrical season or two each , and for a term of more than twenty years , one , of the greatest and ...
... continued to be , during visits which were repeated , occasionally protracted , and were seldom separated by intervals longer than a theatrical season or two each , and for a term of more than twenty years , one , of the greatest and ...
129 psl.
... continued until each had reached his respective stage - position , right and left centre , and had turned and faced and bowed once to the audience , whereupon the Pit and Boxes rose simultaneously ; the gentlemen cheering and clapping ...
... continued until each had reached his respective stage - position , right and left centre , and had turned and faced and bowed once to the audience , whereupon the Pit and Boxes rose simultaneously ; the gentlemen cheering and clapping ...
Kiti leidimai - Peržiūrėti viską
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1863 |
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1864 |
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1863 |
Pagrindiniai terminai ir frazės
action actor of Hamlet Adams admirable afterwards appear audience bare bodkin bear blood bodkin Brabantio Bucknill Cæsar Cassio character of Hamlet circulation conception conscience Coriolanus Covent Garden coward critics DEAR SIR-I death Desdemona drama Drury Lane Edmund Kean effect England expression Falstaff father folio fool Forrest genius Ghost Hackett Harvey Harvey's heart Henry honor Horatio humor Iago idea imagination JAMES H JAMES HENRY HACKETT John Kemble John Quincy Adams Juliet Julius Cæsar Kean's Kemble King Lear Lear's letter London lord Macready Macready's madness manner mind Moor moral nature never night novel occasion Ophelia original Othello Park Theatre passion performance person perusal play poet Polonius Prince racter reason reference remarks render respect Roderigo says scene seems sense Shake Shakespeare Sir John sleave sleep sleeve soliloquy soul speare's spirit stage thee thou thought tion tragedy undiscovered uttered whilst word York
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15 psl. - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
216 psl. - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
242 psl. - In following him, I follow but myself; Heaven is my judge, not I for love and duty, But seeming so, for my peculiar end : For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, 'tis not long after But I will wear my heart upon my sleeve For daws to peck at : I am not what I am.
149 psl. - I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw.
170 psl. - Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out Contagion to this world : now could I drink hot blood, And do such bitter business as the day Would quake to look on.
53 psl. - I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this. — the play's the thing Wherein I'll catch the conscience of the king.
160 psl. - HAMLET Do you see yonder cloud that's almost in shape of a camel ? POLONIUS By the mass and 'tis like a camel indeed HAMLET Methinks it is like a weasel POLONIUS It is backed like a weasel HAMLET Or like a whale ? POLONIUS Very like a whale...
45 psl. - At gaming, swearing ; or about some act That has no relish of salvation in't ; — • Then trip him, that his heels may kick at heaven ; And that his soul may be as damn'd and black As hell, whereto it goes.
213 psl. - To wake the soul by tender strokes of art, To raise the genius, and to mend the heart, To make mankind, in conscious virtue bold, Live o'er each scene, and be what they behold...
108 psl. - And my poor fool is hang'd ! No, no, no life ! Why should a dog, a horse, a rat, have life, And thou no breath at all ? Thou 'It come no more, Never, never, never, never, never ! Pray you, undo this button : thank you, sir. Do you see this ? Look on her, look, her lips, Look there, look there ! [Dies.