On EmersonEdwin Harrison Cady, Louis J. Budd Duke University Press, 1988 - 282 psl. From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts. |
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68 psl.
... nature also illuminates the distinction which Emerson makes be- tween the two aspects of " nature . " Lower - case " nature " ( natura naturata ) , the material aspects , in so far as they are unchanged by man , is distinguished from ...
... nature also illuminates the distinction which Emerson makes be- tween the two aspects of " nature . " Lower - case " nature " ( natura naturata ) , the material aspects , in so far as they are unchanged by man , is distinguished from ...
69 psl.
... nature , in relating nature to human art . Cer- tain deductions , he says , must be made from the credit allowed an artist for his creation . Art's debt to material nature involves three areas : first , such elements as the stone in ...
... nature , in relating nature to human art . Cer- tain deductions , he says , must be made from the credit allowed an artist for his creation . Art's debt to material nature involves three areas : first , such elements as the stone in ...
70 psl.
... nature ? First , he must understand the distinction ; then he will make use of both aspects of nature , keep- ing always in mind the priority of Spirit over matter . Emerson has somewhat complicated the question of art's relation to nature ...
... nature ? First , he must understand the distinction ; then he will make use of both aspects of nature , keep- ing always in mind the priority of Spirit over matter . Emerson has somewhat complicated the question of art's relation to nature ...
Turinys
Emerson and Quakerism 1938 | 19 |
William James and Emerson 1939 | 43 |
Plastic Nature and Transcendental Art 1951 | 62 |
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action Address American appears artist beauty become beginning believe Boston Cabot called Christian church Circles Complete concerning consider continued criticism Cudworth divine doctrine early Emer England essay evidence evil experience expression fact father feeling final Francis Friends hand Henry human ideal ideas Immortality individual intellectual interest Ives James James's Journals Kneeland later lecture Letters live man's March marked material matter means Melville Miller mind moral nature never object original passage person philosophical poet present principle published Puritan Quaker question quoted Ralph Waldo Emerson reason reference relation religion religious seems sense sentence Sermon social society soul Sphinx spirit statement suggests symbols things thought tion Transcendentalism true truth understanding universe volume whole writing written wrote York