Puslapio vaizdai
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LETITIA E. LANDON.

Perlaps he's come to worship her:
She fears, she hopes, she thinks he is.

Advancing stepless, quick, and still,
As in the grass a serpent glides,
He fascinates her fluttering will,

Then terrifies with dreadful strides:
At first, there's nothing to resist :

He fights with all the forms of peace; He comes about her like a mist,

With subtle, swift, unseen increase;
And then, unlooked for, strikes amain
Some stroke that frightens her to death;
And grows all harmlessness again,

Ere she can cry, or get her breath.
At times she stops, and stands at bay;
But he, in all more strong than she,
Subdues her with his pale dismay,
Or more admired audacity.

All people speak of him with praise:
How wise his talk; how sweet his tone;
What manly worship in his gaze!

It nearly makes her heart his own.
With what an air he speaks her name:
His manner always recollects
Her sex and still the woman's claim

Is taught its scope by his respects.
Her charms, perceived to prosper first
In his beloved advertencies,
When in her glass they are rehearsed,
Prove his most powerful allies.

Ah, whither shall a maiden flee,
When a bold youth so swift pursues,
And siege of tenderest courtesy,

With hope perseverant, still renews!
Why fly so fast? Her flattered breast
Thanks him who finds her fair and good;
She loves her fears; veiled joys arrest
The foolish terrors of her blood;
By secret, sweet degrees, her heart,
Vanquished, takes warmth from his
desire:

She makes it more, with bashful art,
And fuels love's late dreaded fire.

The gallant credit he accords

To all the signs of good in her,
Redeems itself; his praiseful words
What they attribute still confer.
Her heart is thrice as rich in bliss,
She's three times gentler than before:
He gains a right to call her his,

Now she through him is so much more!
Ah, might he, when by doubts aggrieved,
Behold his tokens next her breast,

At all his words and sighs perceived
Against its blithe upheaval pressed.
But still she flies: should she be won,

It must not be believed or thought
She yields: she's chased to death, undone,
Surprised, and violently caught.

THE LOVER.

He meets, by heavenly chance express,
His destined wife; some hidden hand
Unveils to him that loveliness

Which others cannot understand.
No songs of love, no summer dreams
Did e'er his longing fancy fire
With vision like to this; she seems
In all things better than desire.
His merits in her presence grow,

To match the promise in her eyes, And round her happy footsteps blow The authentic airs of Paradise.

The least is well, yet nothing's light

In all the lover does; for he
Who pitches hope at such a height

Will do all things with dignity.
She is so perfect, true, and pure,

Her virtue all virtue so endears,
That often, when he thinks of her,
Life's meanness fills his eyes with tears,

LETITIA E. LANDON.

THE SHEPHERD-BOY.
LIKE some vision olden

Of far other time,
When the age was golden,
In the young world's prime
Is thy soft pipe ringing,
O lonely shepherd-boy,
What song art thou singing,
In thy youth and joy?

Or art thou complaining

Of thy lowly lot,
And thine own disdaining,

Dost ask what thou hast not?
Of the future dreaming,
Weary of the past,
For the present scheming,
All but what thou hast.

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I tell ye, banks of Krumley,

ALICE CAREY.

"T is not your sunny days
That set your meadows up and down
With blossoms all ablaze.

The flowers that love her crowd to bloom
Along her trodden ways.

O dim and dewy Krumley,
"T is not your birds at all
That make the air one warble
From rainy spring to fall.
They only mock the sweeter songs
That from her sweet lips fall.

O bold, bold winds of Krumley,
Do ye mean my heart to break,
So light ye lift her yellow hair,
So lightly kiss her cheek?

O flower and bird, O wave and wind,
Ye mean my heart to break!

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The illuminated air,

The pleasure after prayer,

Proclaim the unoriginated Power!

The mystery that hides him here and

there.

Bears the sure witness he is everywhere.

HER LAST POEM.

EARTH with its dark and dreadful ills,
Recedes and fades away;

Lift up your heads, ye heavenly hills;
Ye gates of death, give way!

My soul is full of whispered song,
My blindness is my sight;
The shadows that I feared so long
Are full of life and light.

My pulses faint and fainter beat,
My faith takes wider bounds;
I feel grow firm beneath my feet
The green, immortal grounds.

The faith to me a courage gives.
Low as the grave to go, -

I know that my Redeemer lives, -
That I shall live I know.

The palace walls I almost see
Where dwells my Lord and King
O grave, where is thy victory?
O death, where is thy sting?

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Sang in the wild insanity of glee;

And seemed, in the same lays, Calling his mate and uttering songs of praise.

The golden grasshopper did chirp and sing;
The plain bee, busy with her housekeep-
ing,
Kept humming cheerfully upon the wing,

As if she understood
That, with contentment, labor was a good.

To the Creator lift a smiling face,
I saw each creature, in his own best place,
Praising continually his wondrous grace;
As if the best of all
Life's countless blessings was to live at all!

So with a book of sermons, plain and true, Hid in my heart, where I might turn them through,

I went home softly, through the falling dew,

Still listening, rapt and calm, To Nature giving out her evening psalm.

While, far along the west, mine eyes discerned,

Where, lit by God, the fires of sunset burned,

The tree-tops, unconsumed, to flame were turned;

And I, in that great hush, Talked with His angels in each burning bush!

NEARER HOME.

ONE Sweetly welcome thought,
Comes to me o'er and o'er;
I'm nearer home to-day

Than I've ever been before;
Nearer my Father's house

Where the many mansions be; Nearer the Great White Throne, Nearer the Jasper Sea;

Nearer that bound of life,

Where we lay our burdens down, — Nearer leaving the cross,

Nearer gaining the crown.

But lying dimly between,

Winding down through the night, Lies the dark and uncertain stream That leads us at length to the light.

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SYDNEY DOBELL.

Let me feel as I shall, when I stand
On the shores of the river of death:-

Feel as I would, were my feet

Even now slipping over the brink, — For it may be I am nearer home,

Nearer now, than I think!

PEACE.

O LAND, of every land the best,—
O Land, whose glory shall increase;
Now in your whitest raiment drest
For the great festival of peace:

Take from your flag its fold of gloom, And let it float undimmed above, Till over all our vales shall bloom The sacred colors that we love.

On mountain high, in valley low,
Set Freedom's living fires to burn;
Until the midnight sky shall show

A redder glory than the morn.

Welcome, with shouts of joy and pride,
Your veterans from the war-path's
track;
You gave your boys, untrained, untried;
You bring them men and heroes back!

And shed no tear, though think you must With sorrow of the martyred band; Not even for him whose hallowed dust Has made our prairies holy land.

Though by the places where they fell, The places that are sacred ground, Death, like a sullen sentinel,

Paces his everlasting round.

Yet when they set their country free, And gave her traitors fitting doom, They left their last great enemy, Baffled, beside an empty tomb.

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Not there, but risen, redeemed, they go Where all the paths are sweet with flowers;

They fought to give us peace, and lo! They gained a better peace than ours.

SYDNEY DOBELL.

KEITH OF RAVELSTON.

O HAPPY, happy maid,

In the year of war and death

She wears no sorrow!

By her face so young and fair,

By the happy wreath

That rules her happy hair,

She might be a bride to-morrow!

She sits and sings within her moonlit bower,

Her moonlit bower in rosy June,
Yet ah, her bridal breath,
Like fragrance from some sweet night-
blowing flower,

Moves from her moving lips in many a mournful tune!

She sings no song of love's despair,
She sings no lover lowly laid,

No fond peculiar grief

Has ever touched or bud or leaf

Of her unblighted spring.

She sings because she needs must sing;
She sings the sorrow of the air
Whereof her voice is made.
That night in Britain howsoe'er
On any chords the fingers strayed
They gave the notes of care.
A dim sad legend old
Long since in some pale shade
Of some far twilight told,
She knows not when or where,
She sings, with trembling hand on trem-
bling lute-strings laid :-

The murmur of the mourning ghost
That keeps the shadowy kine,

"O Keith of Ravelston,

The sorrows of thy line!"

Ravelston, Ravelston,

The merry path that leads Down the golden morning hill, And through the silver meads;

Ravelston, Ravelston,

The stile beneath the trec,

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