The Life of John Ruskin, 2 tomasHoughton Mifflin, 1893 - 427 psl. |
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4 psl.
... artists and poets whose inspiration we regard as a survival of Ossianic nature- worship , Fingalian romance , or Columban piety . But the exponent of a national ideal is rarely pure - bred . To expound an ideal , he must be in touch ...
... artists and poets whose inspiration we regard as a survival of Ossianic nature- worship , Fingalian romance , or Columban piety . But the exponent of a national ideal is rarely pure - bred . To expound an ideal , he must be in touch ...
6 psl.
... . Barber , ' Furness and Cartmel Notes , ' p . 380 . Dalton is within fourteen miles of Brantwood , and was the birthplace of Romney , the artist . remained a good friend to the young couple . She 6 LIFE AND WORK OF JOHN RUSKIN.
... . Barber , ' Furness and Cartmel Notes , ' p . 380 . Dalton is within fourteen miles of Brantwood , and was the birthplace of Romney , the artist . remained a good friend to the young couple . She 6 LIFE AND WORK OF JOHN RUSKIN.
13 psl.
... artists are , in essential points , comparatively undetailed . We have anecdotes about them ; we hear of their sudden appearance , their struggles , their adventures ; but we cannot trace the development , step by step , of their genius ...
... artists are , in essential points , comparatively undetailed . We have anecdotes about them ; we hear of their sudden appearance , their struggles , their adventures ; but we cannot trace the development , step by step , of their genius ...
15 psl.
... artistic company , remained their friend . A certain friendship , too , was struck up between the old Academician , then in his seventy - seventh year , the acknow- ledged cynic and satirist , and the little wise boy who asked shrewd ...
... artistic company , remained their friend . A certain friendship , too , was struck up between the old Academician , then in his seventy - seventh year , the acknow- ledged cynic and satirist , and the little wise boy who asked shrewd ...
33 psl.
... artists to begin with Cruikshank , as he began , and that he wrote appreciatively both of the stories and the ... artist of the same name , to give him lessons , in the early part of 1831. His teaching was of the kind which preceded the ...
... artists to begin with Cruikshank , as he began , and that he wrote appreciatively both of the stories and the ... artist of the same name , to give him lessons , in the early part of 1831. His teaching was of the kind which preceded the ...
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admiration afterwards Albert Goodwin Alps architecture artists beautiful Brantwood Carlyle CHAPTER Church College colour Coniston criticism Denmark Hill Deucalion drawing early Edinburgh editions Allen Elder England engraving father feeling friends geology give Gothic Greek Guild hand Herne Hill honour hope illustrated interest Italy J. M. W. Turner John Ruskin labour lady landscape later lecture letters London look masters mind Miss Modern Painters morning mother mountains Museum National Gallery nature never Old Road Oxford painting paper poems poetry Præterita Pre-Raphaelite printed Professor Proserpina published readers reprinted Rossetti seemed Seven Lamps sketch Smith Society Stones of Venice style teaching things thought Tintoret Titian took tour Turner Unto this Last Verona verse volume W. G. Collingwood wanted writing written wrote young
Populiarios ištraukos
119 psl. - I STOOD in Venice on the Bridge of Sighs, A palace and a prison on each hand ; I saw from out the wave her structures rise As from the stroke of the enchanter's wand...
131 psl. - Turner their example, as his latest are to be their object of emulation, should go to nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thoughts but how best to penetrate her meaning, and remember her instruction, rejecting nothing, selecting nothing, and scorning nothing; believing all things to be right and good, and rejoicing always in the truth.
92 psl. - PAINTERS : Their Superiority in the ART of LANDSCAPE PAINTING to all the Ancient Masters, proved by examples of the True, the Beautiful, and the Intellectual, from the Works of Modern Artists, especially from those of JM Turner, Esq., RA By a GRADUATE of OXFORD.
192 psl. - I am still very unwell, and tormented between the longing for rest and lovely life, and the sense of this terrific call of human crime for resistance and of human misery for help, though it seems to me as the voice of a river of blood which can but sweep me down in the midst of its black clots, helpless.
163 psl. - Robert Browning is unerring in every sentence he writes of the Middle Ages; always vital, right, and profound; so that in the matter of art, with which we have been specially concerned, there is hardly a principle connected with the mediaeval temper, that he has not struck upon in those seemingly careless and too rugged rhymes of his.
79 psl. - One impulse from a vernal wood May teach you more of man, Of moral evil and of good, Than all the sages can. Sweet is the lore which Nature brings ; Our meddling intellect Mis-shapes the beauteous forms of things : — We murder to dissect. Enough of Science and of Art ; Close up those barren leaves ; Come forth, and bring with you a heart That watches and receives.
334 psl. - Oh that some one had but told me, in my youth, when all my heart seemed to be set on these colours and clouds that appear for a little while and then vanish away, how little my love of them would serve me, when the silence of lawn and wood in the dews of morning should be completed, and...
128 psl. - Mr. Ruskin seems to me one of the few genuine writers, as distinguished from bookmakers, of this age. His earnestness even amuses me in certain passages; for I cannot help laughing to think how utilitarians will fume and fret over his deep, serious (and as THEY will think), fanatical reverence for Art. That pure and severe mind you ascribed to him speaks in every line. He writes like a consecrated Priest of the Abstract and Ideal. "I shall bring with me 'The Stones of Venice...
166 psl. - Why, whose should it be?" cried I with a flounce; "I get these things often"— but that was a bounce: "Some lords, my acquaintance, that settle the nation, Are pleased to be kind— but I hate ostentation.
220 psl. - Not for a long while have I read anything tenth-part so radiant with talent, ingenuity, lambent fire (sheet — and other lightnings) of all commendable kinds ! Never was such a lecture on Crystallography before, had there been nothing else in it, — and there are all manner of things. In power of expression I pronounce it to be supreme ; never did anybody who had such things to explain explain them better.