The Life of John Ruskin, 2 tomasHoughton Mifflin, 1893 - 427 psl. |
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... TURNER AND THE ANCIENTS ' ( 1842-1844 ) II . CHRISTIAN ART ( 1845-1847 ) " III . THE SEVEN LAMPS ( 1847-1849 ) • IV . ' STONES OF VENICE ' ( 1849-1851 ) V. PRE - RAPHAELITISM ( 1851-1853 ) VIII . • • VI . THE EDINBURGH LECTURES ( 1853 ...
... TURNER AND THE ANCIENTS ' ( 1842-1844 ) II . CHRISTIAN ART ( 1845-1847 ) " III . THE SEVEN LAMPS ( 1847-1849 ) • IV . ' STONES OF VENICE ' ( 1849-1851 ) V. PRE - RAPHAELITISM ( 1851-1853 ) VIII . • • VI . THE EDINBURGH LECTURES ( 1853 ...
38 psl.
... Turner had touched the chord for which John Ruskin had been feeling all these years ; no wonder that he took Turner for his leader and master , and fondly tried to copy the wonderful Alps at Daybreak ' to begin with , and then to ...
... Turner had touched the chord for which John Ruskin had been feeling all these years ; no wonder that he took Turner for his leader and master , and fondly tried to copy the wonderful Alps at Daybreak ' to begin with , and then to ...
39 psl.
... Turner vignettes . So they went through Flanders and Germany , following Prout's lead by the castles of the Rhine ; but at last , at Schaffhausen one Sunday evening- suddenly - behold- beyond ! ' - they had seen the Alps . Thenceforward ...
... Turner vignettes . So they went through Flanders and Germany , following Prout's lead by the castles of the Rhine ; but at last , at Schaffhausen one Sunday evening- suddenly - behold- beyond ! ' - they had seen the Alps . Thenceforward ...
40 psl.
... Turner and Prout , until he settles into something different from either . But Turner and Prout were not the only artists he knew ; at Paris he found his way into the Louvre , and got leave from the directors , though he was under the ...
... Turner and Prout , until he settles into something different from either . But Turner and Prout were not the only artists he knew ; at Paris he found his way into the Louvre , and got leave from the directors , though he was under the ...
41 psl.
... Turner's vignettes , something like a key to the reason why ' of all the wonderful forms and marvellous mountain - architecture of the Alps . In our hills of the North these things do not so obviously call for explanation ; but no ...
... Turner's vignettes , something like a key to the reason why ' of all the wonderful forms and marvellous mountain - architecture of the Alps . In our hills of the North these things do not so obviously call for explanation ; but no ...
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Pagrindiniai terminai ir frazės
admiration afterwards Albert Goodwin Alps architecture artists beautiful Brantwood Carlyle CHAPTER Church College colour Coniston criticism Denmark Hill Deucalion drawing early Edinburgh editions Allen Elder England engraving father feeling friends geology give Gothic Greek Guild hand Herne Hill honour hope illustrated interest Italy J. M. W. Turner John Ruskin labour lady landscape later lecture letters London look masters mind Miss Modern Painters morning mother mountains Museum National Gallery nature never Old Road Oxford painting paper poems poetry Præterita Pre-Raphaelite printed Professor Proserpina published readers reprinted Rossetti seemed Seven Lamps sketch Smith Society Stones of Venice style teaching things thought Tintoret Titian took tour Turner Unto this Last Verona verse volume W. G. Collingwood wanted writing written wrote young
Populiarios ištraukos
119 psl. - I STOOD in Venice on the Bridge of Sighs, A palace and a prison on each hand ; I saw from out the wave her structures rise As from the stroke of the enchanter's wand...
131 psl. - Turner their example, as his latest are to be their object of emulation, should go to nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thoughts but how best to penetrate her meaning, and remember her instruction, rejecting nothing, selecting nothing, and scorning nothing; believing all things to be right and good, and rejoicing always in the truth.
92 psl. - PAINTERS : Their Superiority in the ART of LANDSCAPE PAINTING to all the Ancient Masters, proved by examples of the True, the Beautiful, and the Intellectual, from the Works of Modern Artists, especially from those of JM Turner, Esq., RA By a GRADUATE of OXFORD.
192 psl. - I am still very unwell, and tormented between the longing for rest and lovely life, and the sense of this terrific call of human crime for resistance and of human misery for help, though it seems to me as the voice of a river of blood which can but sweep me down in the midst of its black clots, helpless.
163 psl. - Robert Browning is unerring in every sentence he writes of the Middle Ages; always vital, right, and profound; so that in the matter of art, with which we have been specially concerned, there is hardly a principle connected with the mediaeval temper, that he has not struck upon in those seemingly careless and too rugged rhymes of his.
79 psl. - One impulse from a vernal wood May teach you more of man, Of moral evil and of good, Than all the sages can. Sweet is the lore which Nature brings ; Our meddling intellect Mis-shapes the beauteous forms of things : — We murder to dissect. Enough of Science and of Art ; Close up those barren leaves ; Come forth, and bring with you a heart That watches and receives.
334 psl. - Oh that some one had but told me, in my youth, when all my heart seemed to be set on these colours and clouds that appear for a little while and then vanish away, how little my love of them would serve me, when the silence of lawn and wood in the dews of morning should be completed, and...
128 psl. - Mr. Ruskin seems to me one of the few genuine writers, as distinguished from bookmakers, of this age. His earnestness even amuses me in certain passages; for I cannot help laughing to think how utilitarians will fume and fret over his deep, serious (and as THEY will think), fanatical reverence for Art. That pure and severe mind you ascribed to him speaks in every line. He writes like a consecrated Priest of the Abstract and Ideal. "I shall bring with me 'The Stones of Venice...
166 psl. - Why, whose should it be?" cried I with a flounce; "I get these things often"— but that was a bounce: "Some lords, my acquaintance, that settle the nation, Are pleased to be kind— but I hate ostentation.
220 psl. - Not for a long while have I read anything tenth-part so radiant with talent, ingenuity, lambent fire (sheet — and other lightnings) of all commendable kinds ! Never was such a lecture on Crystallography before, had there been nothing else in it, — and there are all manner of things. In power of expression I pronounce it to be supreme ; never did anybody who had such things to explain explain them better.