Shakspere: A Critical Study of His Mind and ArtHarper & brothers, 1902 - 386 psl. |
Knygos viduje
Rezultatai 1–5 iš 48
2 psl.
... artist to the mind of the creator ; but it by no means prevents our returning to view the work of art simply as such , apart from the artist , and as such to receive delight from it . Nay , in the end it augments our delight by enabling ...
... artist to the mind of the creator ; but it by no means prevents our returning to view the work of art simply as such , apart from the artist , and as such to receive delight from it . Nay , in the end it augments our delight by enabling ...
5 psl.
... artist - a Milton , a Michael Angelo , a Dante - betrays himself in spite of the haughtiest reserve . But Shakspere , if an idealist , was also above all else a realist in art , and lurks almost im- pregnably behind his work . " The ...
... artist - a Milton , a Michael Angelo , a Dante - betrays himself in spite of the haughtiest reserve . But Shakspere , if an idealist , was also above all else a realist in art , and lurks almost im- pregnably behind his work . " The ...
6 psl.
... artist and as a man . We do not now place A Midsummer - Night's Dream and The Tempest side by side as Shakspere's plays of fairy - land . We know that a long interval of time lies between the two , and that if they resemble one another ...
... artist and as a man . We do not now place A Midsummer - Night's Dream and The Tempest side by side as Shakspere's plays of fairy - land . We know that a long interval of time lies between the two , and that if they resemble one another ...
20 psl.
... artistic handling . The Elizabethan drama gives us the stuff of life itself — the coarse with the fine , the mean with the heroic , the hu- morous and grotesque with the tragic and the terrible . The personages of the drama - if we ...
... artistic handling . The Elizabethan drama gives us the stuff of life itself — the coarse with the fine , the mean with the heroic , the hu- morous and grotesque with the tragic and the terrible . The personages of the drama - if we ...
24 psl.
... artistic instincts - positive rather than speculative -prefer the majesty and infinite sadness of unexplainedness to any attempt to look on towards a future solution of hard riddles in human fates . " - E . D. WEST ( in the first of two ...
... artistic instincts - positive rather than speculative -prefer the majesty and infinite sadness of unexplainedness to any attempt to look on towards a future solution of hard riddles in human fates . " - E . D. WEST ( in the first of two ...
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action Antony and Cleopatra artist attain beauty Bolingbroke Brutus Caliban Capulet Cassius character Coleridge comedy comic Cordelia Coriolanus Cressida criticism Cymbeline death deed delight Desdemona drama dream earth energy evil fact Falstaff father feeling genius Gervinus grave Hamlet hand heart heaven Henry Henry VI heroic historical plays honor human humor Iago ideal imagination intellect Jaques Julius Cæsar King Kreyssig Lear lives lord Love's Labor's Lost lover loyalty Macbeth mind mirth moral nature ness night noble Ophelia Othello pain passion period person poems poet Polonius Portia possessed present Prince Prospero Richard Romeo and Juliet scene sense Shak Shakespeare Shakspere Shakspere's Shakspere's plays Sonnets sorrow soul spere spirit strength Tempest tender terrible thee things thou thought Timon Timon of Athens tion tragedy tragic Troilus Troilus and Cressida true truth uttered virtue weakness woman words written youth