The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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160 psl.
... ventriloquism has its parallel to the creation of dramatic character in that part of our interest in the character ... ventriloquism is the impression we sometimes have of a character mouthing the ideas of the author . More broadly ...
... ventriloquism has its parallel to the creation of dramatic character in that part of our interest in the character ... ventriloquism is the impression we sometimes have of a character mouthing the ideas of the author . More broadly ...
162 psl.
... ventriloquism which may be said to range from the Aristophanic parabasis , to the epilogues of Renaissance to eighteenth - century plays , to Brechtian songs and Shavian ... Ventriloquism is also the ventriloquism of the stage 162.
... ventriloquism which may be said to range from the Aristophanic parabasis , to the epilogues of Renaissance to eighteenth - century plays , to Brechtian songs and Shavian ... Ventriloquism is also the ventriloquism of the stage 162.
174 psl.
... ventriloquism is through matching the ideological statement against the conduct and outcome of the plot , as opposed to the real world on which it is more or less based . No doubt all these ideas have something to do with Chekhov's ...
... ventriloquism is through matching the ideological statement against the conduct and outcome of the plot , as opposed to the real world on which it is more or less based . No doubt all these ideas have something to do with Chekhov's ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write