The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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29 psl.
... theater stage , which assumes its own reality . And although Samuel Coleridge spoke of this transaction as a willing suspension of disbelief , " the consciousness of our willing it is lost in the suspension . It would appear that the ...
... theater stage , which assumes its own reality . And although Samuel Coleridge spoke of this transaction as a willing suspension of disbelief , " the consciousness of our willing it is lost in the suspension . It would appear that the ...
32 psl.
... [ theater's ] imperfections " in our mind's eye , and " into a thousand parts divide one man , " but this is not what theater does best . And when it is done well we are amazed , not because we have pieced out the imperfections , but ...
... [ theater's ] imperfections " in our mind's eye , and " into a thousand parts divide one man , " but this is not what theater does best . And when it is done well we are amazed , not because we have pieced out the imperfections , but ...
34 psl.
... theater by having a film simultaneously projected on the scrim as the actors enact a play before it ( I have in mind something more sustained than the projections often used in Brecht productions ) . My main idea in this discussion is ...
... theater by having a film simultaneously projected on the scrim as the actors enact a play before it ( I have in mind something more sustained than the projections often used in Brecht productions ) . My main idea in this discussion is ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write