The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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5 psl.
... suggests that he doesn't mean " part " in the sense that there is someplace in a play where there isn't plot , or that plot is a discrete thing separate from , say , character . For it somehow seems to shortchange the soul of anything ...
... suggests that he doesn't mean " part " in the sense that there is someplace in a play where there isn't plot , or that plot is a discrete thing separate from , say , character . For it somehow seems to shortchange the soul of anything ...
95 psl.
... suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it ... suggest that this affect belongs in the category of recognition : it is exacerbated by peripeties that , though ...
... suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it ... suggest that this affect belongs in the category of recognition : it is exacerbated by peripeties that , though ...
182 psl.
... suggests that all works legitimately called tragedies are necessarily in- formed by a tragic vision , or , taking visionary in Krieger's sense ( and perhaps Van Laan's ) , that all tragedies have tragic visionaries as their protagonists ...
... suggests that all works legitimately called tragedies are necessarily in- formed by a tragic vision , or , taking visionary in Krieger's sense ( and perhaps Van Laan's ) , that all tragedies have tragic visionaries as their protagonists ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write