The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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5 psl.
... seems to shortchange the soul of anything to claim that it can be located in one part of itself but not in others . The true import of the word " soul " ( psuche ) suggests a spirit inhering in something , or , as in Aristotle's biology ...
... seems to shortchange the soul of anything to claim that it can be located in one part of itself but not in others . The true import of the word " soul " ( psuche ) suggests a spirit inhering in something , or , as in Aristotle's biology ...
81 psl.
... seem , we have a true ( or full ) catharsis in certain works of Ae- schylus , Sophocles , and Shakespeare ( otherwise ... seems to be important is that we have a word to indicate any powerful feeling we experience at the end of a ...
... seem , we have a true ( or full ) catharsis in certain works of Ae- schylus , Sophocles , and Shakespeare ( otherwise ... seems to be important is that we have a word to indicate any powerful feeling we experience at the end of a ...
164 psl.
... seems forced in the bare text through the per ceptual weakness of textuality is obscured in the theater by the undeniable fact that it is happening before us . ( For example , examine the lyrics of a popular song without the musical ...
... seems forced in the bare text through the per ceptual weakness of textuality is obscured in the theater by the undeniable fact that it is happening before us . ( For example , examine the lyrics of a popular song without the musical ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write