The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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29 psl.
... paradox : the paradox of the character being at once fictive and real , and the paradox ( within this The Pleasure of the Play paradox ) of the realness 29.
... paradox : the paradox of the character being at once fictive and real , and the paradox ( within this The Pleasure of the Play paradox ) of the realness 29.
30 psl.
... paradox operates in reverse - that is , that the realness , before our eyes , of the actor and the setting in real space enhances the illusion and takes the audience affectively into a willing suspension of disbelief similar in kind to ...
... paradox operates in reverse - that is , that the realness , before our eyes , of the actor and the setting in real space enhances the illusion and takes the audience affectively into a willing suspension of disbelief similar in kind to ...
68 psl.
... paradox by A. David Napier : A paradox is something that appears self - contradictory , a thing that at some time , or from a particular point of view , appears to be what it is not . Logically , paradoxes appear to infringe upon the ...
... paradox by A. David Napier : A paradox is something that appears self - contradictory , a thing that at some time , or from a particular point of view , appears to be what it is not . Logically , paradoxes appear to infringe upon the ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write