The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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103 psl.
... fictional cannot be experienced by disappearing into it , as we do in dreams , because it then ceases to be illusory ; nor can we experience the fictional by contemplating its material substance ( a 14 - ounce book ) : hence fiction ...
... fictional cannot be experienced by disappearing into it , as we do in dreams , because it then ceases to be illusory ; nor can we experience the fictional by contemplating its material substance ( a 14 - ounce book ) : hence fiction ...
104 psl.
... fiction itself ( The Mousetrap , Night Must Fall , Deathtrap , Sleuth , etc. ) , from which the play is continually " quoting " conventional motifs and re- marketing them ( vaguely ) as if they were its own . The laughter comes in our ...
... fiction itself ( The Mousetrap , Night Must Fall , Deathtrap , Sleuth , etc. ) , from which the play is continually " quoting " conventional motifs and re- marketing them ( vaguely ) as if they were its own . The laughter comes in our ...
159 psl.
... Fiction is not " identical to the imaginary ... ; [ rather , it ] endows the imaginary with an articulate gestalt " : Just as the fictionalizing act outstrips the determinacy of the real , so it provides the imaginary with the ...
... Fiction is not " identical to the imaginary ... ; [ rather , it ] endows the imaginary with an articulate gestalt " : Just as the fictionalizing act outstrips the determinacy of the real , so it provides the imaginary with the ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write