The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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psl.
... Theatre , " Modern Drama 30 ( March 1987 ) ; " Tragedy and Tragic Vision : A Darwinian Supplement to Thomas Van Laan , " Journal of Dramatic Theory and Criticism 6 ( Spring 1992 ) ; and " The Anatomy of Dramatic Character , Theatre ...
... Theatre , " Modern Drama 30 ( March 1987 ) ; " Tragedy and Tragic Vision : A Darwinian Supplement to Thomas Van Laan , " Journal of Dramatic Theory and Criticism 6 ( Spring 1992 ) ; and " The Anatomy of Dramatic Character , Theatre ...
136 psl.
Bert O. States. CHAPTER 9 The Anatomy of Dramatic Character V ery little in the study of the drama is as difficult to pin down as character ... Anatomy of Dramatic Character present . It is always 136 The Anatomy of Dramatic Character.
Bert O. States. CHAPTER 9 The Anatomy of Dramatic Character V ery little in the study of the drama is as difficult to pin down as character ... Anatomy of Dramatic Character present . It is always 136 The Anatomy of Dramatic Character.
141 psl.
Bert O. States. The Anatomy of Dramatic Character ter in fiction could have spoken these lines . If readers from different historical periods have widely different ideas about Hamlet's character , they all respond to the same character ...
Bert O. States. The Anatomy of Dramatic Character ter in fiction could have spoken these lines . If readers from different historical periods have widely different ideas about Hamlet's character , they all respond to the same character ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral motion murder nature occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write