Elements of Criticism, 1 tomasJohn Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London., 1788 - 2 psl. |
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4 psl.
... natural aptitude to draw us from the immoderate gratification of fenfual appetite ; and the mind , once accustomed to ... nature , by qualifying the human mind for a fucceflion of enjoyments from low to high , leads it by gentle . steps ...
... natural aptitude to draw us from the immoderate gratification of fenfual appetite ; and the mind , once accustomed to ... nature , by qualifying the human mind for a fucceflion of enjoyments from low to high , leads it by gentle . steps ...
5 psl.
... nature offers it to us , in order to advance our happiness ; and it is fufficient , that he hath enabled us to carry it on in a natural courfe . Nor has he made our task either disagreeable or difficult on the con- trary , the ...
... nature offers it to us , in order to advance our happiness ; and it is fufficient , that he hath enabled us to carry it on in a natural courfe . Nor has he made our task either disagreeable or difficult on the con- trary , the ...
6 psl.
... nature , and governed by principles common to all men . The design of the prefent undertaking , which afpires not to morali- ty , is , to examine the fenfitive branch of human nature , to trace the objects that are naturally agreeable ...
... nature , and governed by principles common to all men . The design of the prefent undertaking , which afpires not to morali- ty , is , to examine the fenfitive branch of human nature , to trace the objects that are naturally agreeable ...
13 psl.
... nature , and were obfequious to rational prin- ciples , why fhould thefe be concealed from us ? With refpect to the prefent undertaking , it is not the author's intention to compose a regular treatise upon each of the fine arts ; but ...
... nature , and were obfequious to rational prin- ciples , why fhould thefe be concealed from us ? With refpect to the prefent undertaking , it is not the author's intention to compose a regular treatise upon each of the fine arts ; but ...
14 psl.
... nature of man , confidered as a fen- fitive being capable of pleasure and pain : and , though he flatters himself with having made fome progress in that important fcience , he is , however , too fenfible of its extent and difficulty ...
... nature of man , confidered as a fen- fitive being capable of pleasure and pain : and , though he flatters himself with having made fome progress in that important fcience , he is , however , too fenfible of its extent and difficulty ...
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftance colour connection courfe courſe defcribing defcription defire degree difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation emotion raiſed eſpecially expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firſt focial fome fometimes fpecies fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant pleaſant emotion pleaſure prefent produce produceth puniſh purpoſe raiſed reafon reflection reliſh reſemblance reſpect riety ſcarce ſelfiſh ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety