Elements of Criticism, 1 tomasJohn Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London., 1788 - 2 psl. |
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1 psl.
... latter ; every feeling , pleasant or painful , muft be in the mind ; and yet , because in tasting , touching , and fmelling , we are fenfible of the impreffion made upon the organ , we are led to place there alfo the pleasant or painful ...
... latter ; every feeling , pleasant or painful , muft be in the mind ; and yet , because in tasting , touching , and fmelling , we are fenfible of the impreffion made upon the organ , we are led to place there alfo the pleasant or painful ...
2 psl.
... a smooth , foft , and velvet furface , has its exiftence at the ends of the fingers , with- out once dreaming of its exifting any where else . resemble resemble the latter , being , like them , produced INTRODUCTION .
... a smooth , foft , and velvet furface , has its exiftence at the ends of the fingers , with- out once dreaming of its exifting any where else . resemble resemble the latter , being , like them , produced INTRODUCTION .
3 psl.
Lord Henry Home Kames. resemble the latter , being , like them , produced by external objects ; but they also resemble the former , being , like them , produced without any fenfible organic impreffion . Their mixt nature and middle place ...
Lord Henry Home Kames. resemble the latter , being , like them , produced by external objects ; but they also resemble the former , being , like them , produced without any fenfible organic impreffion . Their mixt nature and middle place ...
9 psl.
... latter to be empty declama- tion . But if he can be prevailed upon to make the expe- riment , he will find , much to his fatisfaction , every arti cle well founded . the the man upon whom nature and culture have bestowed this ...
... latter to be empty declama- tion . But if he can be prevailed upon to make the expe- riment , he will find , much to his fatisfaction , every arti cle well founded . the the man upon whom nature and culture have bestowed this ...
13 psl.
... disqui- fition . His plan is , to afcend gradually to prin- ciples , from facts and experiments ; instead of beginning with the former , handled abstractedly , and 1 I 1 and defcending to the latter . But , INTRODUCTION . 13.
... disqui- fition . His plan is , to afcend gradually to prin- ciples , from facts and experiments ; instead of beginning with the former , handled abstractedly , and 1 I 1 and defcending to the latter . But , INTRODUCTION . 13.
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftance colour connection courfe courſe defcribing defcription defire degree difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation emotion raiſed eſpecially expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firſt focial fome fometimes fpecies fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant pleaſant emotion pleaſure prefent produce produceth puniſh purpoſe raiſed reafon reflection reliſh reſemblance reſpect riety ſcarce ſelfiſh ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety