Elements of Criticism, 1 tomasJohn Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London., 1788 - 2 psl. |
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1 psl.
... impreffion upon the or gan of fenfe , is an obfervation that holds equally in every one of the external fenfes . But there is a difference as to our knowledge of that impreffion in touching , tasting , and smelling , we are sensible of ...
... impreffion upon the or gan of fenfe , is an obfervation that holds equally in every one of the external fenfes . But there is a difference as to our knowledge of that impreffion in touching , tasting , and smelling , we are sensible of ...
2 psl.
... impreffion , we are not mifled to affign a wrong place to the pleasant or painful feelings caused by that impreffion ; and therefore we na- turally place them in the mind , where they really are : upon that account , they are conceived ...
... impreffion , we are not mifled to affign a wrong place to the pleasant or painful feelings caused by that impreffion ; and therefore we na- turally place them in the mind , where they really are : upon that account , they are conceived ...
3 psl.
... impreffion . Their mixt nature and middle place between organic and intellec tual pleasures , qualify them to affociate with both ; beauty heightens all the organic feelings , as well as the intellectual : harmony , though it afpires to ...
... impreffion . Their mixt nature and middle place between organic and intellec tual pleasures , qualify them to affociate with both ; beauty heightens all the organic feelings , as well as the intellectual : harmony , though it afpires to ...
4 psl.
... impreffion , is prepared for enjoying inter- nal objects where there cannot be an organic impreflion . Thus the Author of nature , by qualifying the human mind for a fucceflion of enjoyments from low to high , leads it by gentle . steps ...
... impreffion , is prepared for enjoying inter- nal objects where there cannot be an organic impreflion . Thus the Author of nature , by qualifying the human mind for a fucceflion of enjoyments from low to high , leads it by gentle . steps ...
12 psl.
... impreffion , and counterbalance every irregular defire : at the fame time , a temper calm and fedate is not eafily moved , even by a ftrong tempta . tion . rule , rule , why should they be imitated ? If they 12 INTRODUCTION .
... impreffion , and counterbalance every irregular defire : at the fame time , a temper calm and fedate is not eafily moved , even by a ftrong tempta . tion . rule , rule , why should they be imitated ? If they 12 INTRODUCTION .
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftance colour connection courfe courſe defcribing defcription defire degree difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation emotion raiſed eſpecially expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firſt focial fome fometimes fpecies fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant pleaſant emotion pleaſure prefent produce produceth puniſh purpoſe raiſed reafon reflection reliſh reſemblance reſpect riety ſcarce ſelfiſh ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety