Elements of Criticism, 1 tomasJohn Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London., 1788 - 2 psl. |
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xiv psl.
... agreeable and disagreeable . -Modification of thefe Qualities , 3. Interrupted Existence of Emotions and Paffions . - Their Growth and De- cay , 4. Coexiftent Emotions and Paffions , 105 115 · 124 5. Influence of Paffion with respect to ...
... agreeable and disagreeable . -Modification of thefe Qualities , 3. Interrupted Existence of Emotions and Paffions . - Their Growth and De- cay , 4. Coexiftent Emotions and Paffions , 105 115 · 124 5. Influence of Paffion with respect to ...
6 psl.
... agreeable , as well as thofe that are naturally dif agreeable ; and by thefe means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be à critic in these arts must pierce ftill deeper ...
... agreeable , as well as thofe that are naturally dif agreeable ; and by thefe means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be à critic in these arts must pierce ftill deeper ...
8 psl.
... agreeable , tends to a habit ; and a habit , strengthening the reafoning faculties , prepares the mind for enter- ing into fubjects more intricate and abstract . To have , in that refpect , a just conception of the importance of ...
... agreeable , tends to a habit ; and a habit , strengthening the reafoning faculties , prepares the mind for enter- ing into fubjects more intricate and abstract . To have , in that refpect , a just conception of the importance of ...
13 psl.
... agreeable , and what naturally disagreeable . That fubject is here at- tempted , as far as neceffary for unfolding the ge- nuine principles of the fine arts ; and the author affumes no merit from his performance , but that of evincing ...
... agreeable , and what naturally disagreeable . That fubject is here at- tempted , as far as neceffary for unfolding the ge- nuine principles of the fine arts ; and the author affumes no merit from his performance , but that of evincing ...
24 psl.
... agreeable to the ftricnefs of order ; but in following the oppofite courfe in the analytic method , we have a fenfible pleasure , like mounting upward , which is not felt in the other the analytic method is more agree- able to the ...
... agreeable to the ftricnefs of order ; but in following the oppofite courfe in the analytic method , we have a fenfible pleasure , like mounting upward , which is not felt in the other the analytic method is more agree- able to the ...
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftance colour connection courfe courſe defcribing defcription defire degree difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation emotion raiſed eſpecially expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firſt focial fome fometimes fpecies fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant pleaſant emotion pleaſure prefent produce produceth puniſh purpoſe raiſed reafon reflection reliſh reſemblance reſpect riety ſcarce ſelfiſh ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety