THE twilight is sad and cloudy, But in the fisherman's cottage Close, close it is pressed to the window, Were looking into the darkness, And a woman's waving shadow Now bowing and bending low. What tale do the roaring ocean, And why do the roaring ocean, And the night-wind, wild and bleak, As they beat at the heart of the mother, Drive the color from her cheek? THE LIGHTHOUSE. THE rocky ledge runs far into the sea, And on its outer point, some miles away, The Lighthouse lifts its massive masonry, A pillar of fire by night, of cloud by day. Even at this distance I can see the tides, Upheaving, break unheard along its base, A speechless wrath, that rises and subsides In the white lip and tremor of the face. And as the evening darkens, lo! how bright, Through the deep purple of the twilight air, Beams forth the sudden radiance of its light With strange, unearthly splendor in the glare! Not one alone; from each projecting | And steadily against its solid form Press the great shoulders of the hurricane. THE FIRE OF DRIFT-WOOD. DEVEREUX FARM, NEAR MARBLEHEAD. WE sat within the farm-house old, Whose windows, looking o'er the bay, Gave to the sea-breeze, damp and cold, An easy entrance, night and day. Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown. We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom. We spake of many a vanished scene, Of what we once had thought and said, (f what had been, and might have been, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, T'heir lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, The leaves of memory seemed to make Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire. And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again. The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again. O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within. BY THE FIRESIDE. RESIGNATION. THERE is no flock, however watched and tended, But one dead lamb is there! There is no fireside, howsoe'er defended, But has one vacant chair! Let us be patient! These severe afflictions Not from the ground arise, But oftentimes celestial benedictions We see but dimly through the mists and vapors ; Amid these earthly damps The air is full of farewells to the dy- What seem to us but sad, funereal tapers ing, And mournings for the dead; The heart of Rachel, for her children crying, Will not be comforted! May be heaven's distant lamps. There is no Death! What seems so is transition; This life of mortal breath THE BUILDERS. Is but a suburb of the life elysian, She is not dead, - the child of our affection, But gone unto that school ALL are architects of Fate, Working in these walls of Time; Where she no longer needs our poor pro- Nothing useless is, or low; tection, And Christ himself doth rule. In that great cloister's stillness and seclusion, By guardian angels led, Each thing in its place is best; And what seems but idle show Strengthens and supports the rest. For the structure that we raise, Safe from temptation, safe from sin's Our to-days and yesterdays pollution, She lives, whom we call dead. Day after day we think what she is doing Year after year, her tender steps pursu- Behold her grown more fair. Are the blocks with which we build. Truly shape and fashion these; Leave no yawning gaps between ; In the elder days of Art, Thus do we walk with her, and keep un- Each minute and unseen part; broken For the Gods see everywhere. Let us do our work as well, Both the unseen and the seen; Standing in these walls of Time, How many weary centuries has it been Perhaps the camels of the Ishmaelite His favorite son they bore. Perhaps the feet of Moses, burnt and bare, Crushed it beneath their tread ; Or Mary, with the Christ of Nazareth Illumed the wilderness; Or anchorites beneath Engaddi's palms In half-articulate speech; Or caravans, that from Bassora's gate Or Mecca's pilgrims, confident of Fate, The vision vanishes! These walls again Shut out the lurid sun, Shut out the hot, immeasurable plain; The half-hour's sand is run! BIRDS OF PASSAGE. BLACK shadows fall That lift aloft their massive wall And from the realms Of the shadowy elms A tide-like darkness overwhelms The fields that round us lie. But the night is fair, A warm, soft vapor fills the air, And above, in the light Swift birds of passage wing their flight I hear the beat Of their pinions fleet, As from the land of snow and sleet They seek a southern lea. I hear the cry Of their voices high These have passed over it, or may have Falling dreamily through the sky, passed! Now in this crystal tower But their forms 1 cannot see. Imprisoned by some curious hand at last, O, say not so ! Before my dreamy eye Those sounds that flow In murmurs of delight and woe Come not from wings of birds. They are the throngs Stretches the desert with its shifting Of the poet's songs, sand, Its unimpeded sky. And borne aloft by the sustaining blast, This little golden thread Dilates into a column high and vast, And onward, and across the setting sun, Across the boundless plain, The column and its broader shadow run, Till thought pursues in vain. Murmurs of pleasures, and pains, and wrongs, The sound of winged words. This is the cry From their distant flight It falls into our world of night, With the murmuring sound of rhyme. |