Visions of the East: Orientalism in Film

Priekinis viršelis
Matthew H. Bernstein, Matthew Bernstein, Gaylyn Studlar
Rutgers University Press, 1997 - 330 psl.

The Sheik. Pépé le Moko. Casablanca. Aladdin. Some of the most popular and frequently discussed titles in movie history are imbued with orientalism, the politically-charged way in which western artists have represented gender, race, and ethnicity in the cultures of North Africa and Asia. This is the first anthology to address and highlight orientalism in film from pre-cinema fascinations with Egyptian culture through the "Whole New World" of Aladdin. Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Other films discussed includeThe Letter, Caesar and Cleopatra, Lawrence of Arabia, Indochine, and several films of France's cinéma colonial.

 

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Turinys

Marina Heung
7
Antonia Lant
75
Gaylyn Studlar
99
McLean
126
Butterfly to Indochine
158
Alan Nadel
184
Charles OBrien
207
Dudley Andrew
232
Janice Morgan
253
Mary Hamer
269
Phebe Shih Chao
292
A Select Bibliography
315
Index
321
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