Appendix Wake all the passions into restless life, Sick of misjudging, that no sense can hit, In Britain love to linger, though unknown? 583 his reflections are unquestionably just. In delineating human characters and passions, and in the display of the sublimer excellencies of poetry, Shakspeare was unrivalled. There he our fancy of itself bereaving, Did make us marble with too much conceiving. MILTON'S SONNET TO SHAKSPEARE. 1 Pomp and splendour a poor substitute for genius. 2 The dramatic muse seems of late years to have taken her residence in Germany. Schiller, Kotzebue, and Goethé, possess great merit both for passion and sentiment, and the English nation have done them justice. One or two principles which the French and English critics had too implicitly followed from Aristotle, are indeed not adopted, but have been, I hope, successfully, counteracted by these writers; yet are these dramatists characterised by a wildness bordering on extravagance, attendant on a state of half-civilization. Schiller and Kotzebue, amid some faults, possess great excellencies. With respect to England, has long been noticed by very intelligent observers, that the dramatic taste of the present age is vitiated. Pope, who directed very powerful satire against the stage in his time, makes Dulness say in general terms, Contending theatres our empire raise, Alike their censure, and alike their praise. It would be the highest arrogance in me to make such an assertion, with my slender knowledge in these matters; ready too, as I am, to admire some excellent pieces that have fallen in my way; and to affirm, that there is by no means a deficiency of poetic talent in England. Aristotle observes, that all the parts of the Epic poet are to be found in tragedy, and, consequently, that this species of writing is, of all others, most interesting to men of talents. (Περι ωοιητικης.) And baron Kotzebue thinks the theatre the best school of instruction, both in morals and taste, even for children; and that better effects are produced by a play, than by a sermon. See his life, written by himself, just translated by Anne Plumptre. How much then is it to be wished, that so admirable a mean of amusement and instruction might be advanced to its true point of excellence! But the principles laid down by Bishop HURD, though calculated to advance the love of splendour, will not, I suspect, advance the TRUE PROVINCE OF THE DRAMA. Light Hymen's torch through ev'ry blooming grove,1 Laugh, e'en at kings, and mock each prudish rule, ? 5 Or dost thou soar, in youthful ardour strong, 8 Or wilt thou spread the light of Leo's age, 1 Loves of the Plants, by Dr. Darwin. 2 The Task, by Cowper: written at the request of a lady. The introductory poem is entitled, The Sofa. 3 Dr. Walcot [Wolcot: Peter Pindar], whose poetry is of a farcical and humorous character. 4 The Pleasures of Memory, by Rogers; and the Pleasures of Hope, by Campbell. 5 Joan of Arc, by Southey;-a volume of poems with an introductory sonnet to Mary Wolstonecraft, and a poem, on the praise of woman, breathes the same spirit. 6 Alludes to the character of a volume of poems, entitled Lyrical Ballads. Under this head also should be mentioned Smythe's English Lyrics. 7 Characteristic of a volume of poems, the joint production of Coleridge, Lloyd, and Lamb. 8 Descriptive Poems, such as Leusden hill, by Thomas Crowe; and the Malvern hills, by Joseph Cottle. 9 Roscoe's Reign of Leo de Medici is interspersed with poetry. Roscoe has also translated, THE NURSE, a poem, from the Italian of Luigi Tansillo. 10 Icelandic poetry, or the Edda of Sæmund, translated by Amos Cottle; and the Oberon of Wieland, by Sotheby. Appendix Recall, employment sweet, thy youthful day, 4 Or mark the shipwreck from the sounding shore? HAYDON'S PARTY 585 FROM THE LIfe of BenjamIN ROBERT HAYDON, BY TOM TAYLOR Ο (See Letter 241, page 537) -on N December 28th the immortal dinner came off in my paintingroom, with Jerusalem towering up behind us as a background. Wordsworth was in fine cue, and we had a glorious set-to,Homer, Shakespeare, Milton and Virgil. Lamb got exceedingly merry and exquisitely witty; and his fun in the midst of Wordsworth's solemn intonations of oratory was like the sarcasm and wit of the fool in the intervals of Lear's passion. He made a speech and voted me absent, and made them drink my health. "Now," said Lamb, "you old lake poet, you rascally poet, why do you call 1 Thomas Maurice, the author of the Indian Antiquities, is republishing his poems; the Song to Mithra is in the third volume of Indian Antiquities. 2 The Paradise of Taste, and Pictures of Poetry, by Alexander Thom son. 3 There is a tale of this character by Dr. Aikin, and the Hermit of Warkworth, by Bishop Percy. It will please the friends of taste to hear, that Cartwright's Armine and Elvira, which has been long out of print, is now republishing. The Farmer's Boy, a poem just published, on THE SEASONS, by Robert Bloomfield. 5 Many of the anonymous poetical pieces thrown into magazines, possess poetical merit. Those of a young lady in the Monthly Magazine, will, I hope, in time be more generally known. Those of Rushton, of Liverpool, will also, I hope, be published by some judicious friend :-this worthy man is a bookseller, who has been afflicted with blindness from his youth. V.-37 * Voltaire dull? We all defended Wordsworth, and affirmed there was a state of mind when Voltaire would be dull. "Well," said Lamb, "here's Voltaire-the Messiah of the French nation, and a very proper one too." It He then, in a strain of humour beyond description, abused me for putting Newton's head into my picture," a fellow," said he, "who believed nothing unless it was as clear as the three sides of a triangle." And then he and Keats agreed he had destroyed all the poetry of the rainbow by reducing it to the prismatic colours. was impossible to resist him, and we all drank "Newton's health, and confusion to mathematics.' It was delightful to see the goodhumour of Wordsworth in giving in to all our frolics without affectation and laughing as heartily as the best of us. By this time other friends joined, amongst them poor Ritchie who was going to penetrate by Fezzan to Timbuctoo. I introduced him to all as 66 a gentleman going to Africa." Lamb seemed to take no notice; but all of a sudden he roared out, "Which is the gentleman we are going to lose?" We than drank the victim's health, in which Ritchie joined. In the morning of this delightful day, a gentleman, a perfect stranger, had called on me. He said he knew my friends, had an enthusiasm for Wordsworth and begged I would procure him the happiness of an introduction. He told me he was a comptroller of stamps, and often had correspondence with the poet. I thought it a liberty; but still, as he seemed a gentleman, I told him he might come. In introducAfter a little When we retired to tea we found the comptroller. ing him to Wordsworth I forgot to say who he was. time the comptroller looked down, looked up and said to Wordsworth, "Don't you think, sir, Milton was a great genius?" Keats looked at me, Wordsworth looked at the comptroller. Lamb who was dozing by the fire turned round and said, "Pray, sir, did you say Milton was a great genius ?” "No, sir; I asked Mr. Wordsworth if he were not." "Oh," said Lamb, "then you are a silly fellow." "Charles! my dear Charles!" said Wordsworth; but Lamb, perfectly innocent of the confusion he had created, was off again by the fire. After an awful pause the comptroller said, "Don't you think Newton a great genius?" I could not stand it any longer. Keats put his head into my books. Ritchie squeezed in a laugh. Wordsworth seemed asking himself, "Who is this?" Lamb got up, and taking a candle, said, "Sir, will you allow me to look at your phrenological development? He then turned his back on the poor man, and at every question of the comptroller he chaunted Diddle diddle dumpling, my son John The man in office, finding Wordsworth did not know who he was, said in a spasmodic and half-chuckling anticipation of assured victory, "I have had the honour of some correspondence with you, Mr. Wordsworth." "With me, sir?" said Wordsworth, "not that I remember." "Don't you, sir? I am a comptroller of stamps." There was a dead silence;-the comptroller evidently thinking that was enough. While we were waiting for Wordsworth's reply, Lamb sung out 66 Hey diddle diddle, "My dear Charles!" said Wordsworth, "Diddle diddle dumpling, my son John," chaunted Lamb, and then rising, exclaimed, "Do let me have another look at that gentleman's organs." Keats and I hurried Lamb into the painting-room, shut the door and gave way to inextinguishable laughter. Monkhouse followed and tried to get Lamb away. We went back, but the comptroller was irreconcilable. We soothed and smiled and asked him to supper. He stayed though his dignity was sorely affected. However, being a good-natured man, we parted all in good-humour, and no ill effects followed. All the while, until Monkhouse succeeded, we could hear Lamb struggling in the painting-room and calling at intervals, "Who is that fellow? Allow me to see his organs once more. It was indeed an immortal evening. Wordsworth's fine intonation as he quoted Milton and Virgil, Keats' eager inspired look, Lamb's quaint sparkle of lambent humour, so speeded the stream of conversation, that in my life I never passed a more delightful time. All our fun was within bounds. Not a word passed that an apostle might not have listened to. It was a night worthy of the Elizabethan age, and my solemn Jerusalem flashing up by the flame of the fire, with Christ hanging over us like a vision, all made up a picture which will long glow upon "that inward eye Which is the bliss of solitude." Keats made Ritchie promise he would carry his Endymion to the great desert of Sahara and fling it in the midst. Poor Ritchie went to Africa, and died, as Lamb foresaw, in 1819. Keats died in 1821, at Rome. C. Lamb is gone, joking to the last. Monkhouse is dead, and Wordsworth and I are the only two now living (1841) of that glorious party. JUN 11 1915 |