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LETTER 51

CHARLES LAMB TO THOMAS MANNING

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[P.M. March 1, 1800.]

HOPE by this time you are prepared to say the "Falstaff's letters are a bundle of the sharpest, queerest, profoundest humours, of any these juice-drained latter times have spawned. I should have advertised you, that the meaning is frequently hard to be got at; and so are the future guineas, that now lie ripening and aurifying in the womb of some undiscovered Potosi ; but dig, dig, dig, dig, Manning! I set to with an unconquerable propulsion to write, with a lamentable want of what to write. My private goings on are orderly as the movements of the spheres, and stale as their music to angels' ears. Public affairs-except as they touch upon me, and so turn into private, I cannot whip up my mind to feel any interest in. I grieve, indeed, that War and Nature, and Mr. Pitt, that hangs up in Lloyd's best parlour, should have conspired to call up three necessaries, simple commoners as our fathers knew them, into the upper house of Luxuries; Bread, and Beer, and Coals, Manning. But as to France and Frenchmen, and the Abbé Sièyes and his constitutions, I cannot make these present times present to me. I read histories of the past, and I live in them; although, to abstract senses, they are far less momentous than the noises which keep Europe awake. I am reading Burnet's Own Times. Did you ever read that garrulous, pleasant history? He tells his story like an old man past political service, bragging to his sons on winter evenings of the part he took in public transactions, when his "old cap was new." Full of scandal, which all true history is. No palliatives, but all the stark wickedness, that actually gives the momentum to national actors. Quite the prattle of age and out-lived importance. Truth and sincerity staring out upon you perpetually in alto relievo. Himself a party man-he makes you a party man. None of the Damned philosophical Humeian indifference, so cold, and unnatural, and inhuman ! None of the damned Gibbonian fine writing, so fine and composite. None of Mr. Robertson's periods with three members. None of Mr. Roscoe's sage remarks, all so

1800

Coleridge in London

159

apposite, and coming in so clever, lest the reader should have had the trouble of drawing an inference. Burnet's good old prattle I can bring present to my mind-I can make the revolution present to me; the French Revolution, by a converse perversity in my nature, I fling as far from me. To quit this damn'd subject, and to relieve you from two or three dismal yawns, which I hear in spirit, I here conclude my more than commonly obtuse letter; dull up to the dulness of a Dutch commentator on Shakspeare.

My love to Lloyd and Sophia.

C. L.

["War and Nature, and Mr. Pitt." The war had sent up taxation to an almost unbearable height. Pitt was Chancellor of Exchequer, as well as Prime Minister.

Hume, Gibbon and Robertson were among the books which, in the Elia essay "Detached Thoughts on Books and Reading," Lamb described as biblia-a-biblia. William Roscoe's principal work was his Life of Lorenzo de' Medici, 1795.]

LETTER 52

CHARLES LAMB TO THOMAS MANNING

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[P.M. March 17, 1800.]

DEAR Manning, I am living in a continuous feast.

Coleridge has been with me now for nigh three weeks, and the more I see of him in the quotidian undress and relaxation of his mind, the more cause I see to love him, and believe him a very good man, and all those foolish impressions to the contrary fly off like morning slumbers. He is engaged in translations, which I hope will keep him this month to come. He is uncommonly kind and friendly to me. He ferrets me day and night to do something. He tends me, amidst all his own worrying and heart-oppressing occupations, as a gardener tends his young tulip. Marry come up! what a pretty similitude, and how like your humble servant! has lugged me to the brink of engaging to a newspaper, and has suggested to me for a first plan the forgery of a supposed manuscript of Burton the anatomist of melancholy. I have even written the introductory letter; and, if I can pick up a few guineas this way, I feel they will be most refreshing, bread being so dear. If I go on with it, I will apprise you

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of it, as you may like to see my things! and the tulip, of all flowers, loves to be admired most.

Pray pardon me, if my letters do not come very thick. I am so taken up with one thing or other, that I cannot pick out (I will not say time, but) fitting times to write to you. My dear love to Lloyd and Sophia, and pray split this thin letter into three parts, and present them with the two biggest in my name.

They are my oldest friends; but ever the new friend driveth out the old, as the ballad sings! God bless you all three! I would hear from Lloyd, if I could.

C. L.

Flour has just fallen nine shillings a sack! we shall be all too rich.

Tell Charles I have seen his Mamma, and ham almost fallen in love with her, since I mayn't with Olivia. She is so fine and graceful, a complete Matron-Lady-Quaker. She has given me two little books. Olivia grows a charming girl-full of feeling, and thinner than she was.

But I have not time to fall in love.

Mary presents her general compliments. She keeps in fine health!

Huzza! boys,

and down with the Atheists.

[Coleridge, having sent his wife and Hartley into the country, had, for a while, taken up his abode with Lamb at Pentonville, and given up the Morning Post in order to proceed with his translation of Schiller's Wallenstein. Lamb's forgery of Burton, together with those mentioned in the next letter, which were never printed by Stuart, for whom they were written, was included in the John Woodvil volume, 1802, among the "Curious Fragments, extracted from a commonplace book, which belonged to Robert Burton, the famous Author of The Anatomy of Melancholy." See the Miscellaneous Prose, Vol. I. of this edition.

"They are my oldest friends." Coleridge and Southey were, of course, older. The ballad I have not found.

Mrs. Charles Lloyd, sen., née Mary Farmer, and Olivia, her second daughter, had been staying in London. Lamb had breakfasted with them.

The reference to Atheists is explained by a passage from Manning's letter to Lamb in March, 1800: "One thing tho' I must beg of you that is not to call me Atheist in your letters-for though it may be mere raillery in you, and not meant as a serious

1800

The Burton Imitations

161

imputation on my Faith, yet, if the Catholic or any other intolerant religion should [illegible] and become established in England, (which [illegible] if the Bishop of R-r may be the case) and if the post-people should happen to open and read your letters, (which, considering the sometimes quaintness of their form, they may possibly be incited to do) such names might send me to Smithfield on a hurdle,-and nothing upon earth is more discordant to my wishes, than to become one of the Smithfield Illuminati."]

C.

LETTER 53

CHARLES LAMB TO THOMAS MANNING

[P.M. April 5, 1800.]

L.'s moral sense presents her compliments to Doctor Manning, is very thankful for his medical advice, but is happy to add that her disorder has died of itself.

Dr. Manning, Coleridge has left us, to go into the north, on a visit to his god Wordsworth. With him have flown all my splendid prospects of engagement with the "Morning Post," all my visionary guineas, the deceitful wages of unborn scandal. In truth, I wonder you took it up so seriously. All my intention was but to make a little sport with such public and fair game as Mr. Pitt, Mr. Wilberforce, Mrs. Fitzherbert, the Devil, &c.-gentry dipped in Styx all over, whom no paper javelin-lings can touch. To have made free with these cattle, where was the harm? 'twould have been but giving a polish to lampblack, not nigrifying a negro primarily. After all, I cannot but regret my involuntary virtue. Damn virtue that's thrust upon us; it behaves itself with such constraint, till conscience opens the window and lets out the goose.

I had struck off two imitations of Burton, quite abstracted from any modern allusions, which it was my intent only to lug in from time to time to make 'em popular. Stuart has got these, with an introductory letter; but, not hearing from him, I have ceased from my labours, but I write to him today to get a final answer. I am afraid they won't do for a paper. Burton is a scarce gentleman, not much known; else I had done 'em pretty well.

I have also hit off a few lines in the name of Burton, being a conceit of "Diabolic Possession." Burton was a man often assoiled by deepest melancholy, and at other times

much given to laughing and jesting, as is the way with melancholy men. I will send them you: they were almost extempore, and no great things; but you will indulge them. Robert Lloyd is come to town. He is a good fellow, with the best heart, but his feelings are shockingly unsane. Priscilla meditates going to see Pizarro at Drury Lane to-night (from her uncle's) under cover of coming to dine with me heu! tempora! heu! mores!—I have barely time to finish, as I expect her and Robin every minute.-Yours as usual.

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C. L.

[For Coleridge's movements see note to the next letter."Pizarro was Sheridan's drama. It was acted this season, 17991800, sixty-seven times. Lamb's next letter to Manning, which is not available for this edition, contained the promised copy of the Conceipt of Diabolical Possession." It also contained a copy of Thekla's song in "Wallenstein," in Lamb's translation (see Vol. IV.), which he says is better than the original "a huge deal". Finally Lamb copies the old ballad "Edward, Edward" and calls it "the very first dramatic poem in the English language."]

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LETTER 54

CHARLES LAMB TO S. T. COLERIDGE

[Probably April 16 or 17, 1800.]

you, in this parcel, my play, which I beg you to present in my name, with my respect and love, to Wordsworth and his sister. You blame us for giving your direction to Miss Wesley; the woman has been ten times after us about it, and we gave it her at last, under the idea that no further harm would ensue, but she would once write to you, and you would bite your lips and forget to answer it, and so it would end. You read us a dismal homily upon "Realities." We know, quite as well as you do, what are shadows and what are realities. You, for instance, when you are over your fourth or fifth jorum, chirping about old school occurrences, are the best of realities. Shadows are cold, thin things, that have no warmth or grasp in them. Miss Wesley and her friend, and a tribe of authoresses that come after you here daily, and, in defect of you, hive and cluster upon us, are the shadows. You encouraged that mopsey, Miss Wesley, to dance after you, in the hope of having her nonsense put into a nonsensical Anthology. We have pretty

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