EssaysHoughton, Mifflin Company, 1876 |
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26 psl.
... hour has a chance which the old one had not . This atom of seed is thrown into a new place , not subject to the accidents which destroyed its parent two rods off . She makes a man ; and having brought him to ripe age , she will no ...
... hour has a chance which the old one had not . This atom of seed is thrown into a new place , not subject to the accidents which destroyed its parent two rods off . She makes a man ; and having brought him to ripe age , she will no ...
39 psl.
... hours are counted by succeeding tribes of animals and plants , and by growth of joy on joy . God wills also that thou abdicate a du- plex and manifold life , and that thou be content that others speak for thee . Others shall be thy ...
... hours are counted by succeeding tribes of animals and plants , and by growth of joy on joy . God wills also that thou abdicate a du- plex and manifold life , and that thou be content that others speak for thee . Others shall be thy ...
45 psl.
... hours . The history of literature - take the net result of Tiraboschi , Warton , or Schlegel — is a sum of very few ideas , and of very few original tales , - all the rest being variation of these . So , in this great society wide lying ...
... hours . The history of literature - take the net result of Tiraboschi , Warton , or Schlegel — is a sum of very few ideas , and of very few original tales , - all the rest being variation of these . So , in this great society wide lying ...
47 psl.
... hours so serene that we can relish nature or criticism . The more or less depends on structure or temperament . Temperament is the iron wire on which the beads are strung . Of what use is fortune or talent to a cold and defective nature ...
... hours so serene that we can relish nature or criticism . The more or less depends on structure or temperament . Temperament is the iron wire on which the beads are strung . Of what use is fortune or talent to a cold and defective nature ...
54 psl.
... hour , that is happiness ; to fill the hour , and leave no crevice for a repentance or an approval . We live amid surfaces , and the true art of life is to skate well on them . Under the oldest , mouldiest conventions , a man of native ...
... hour , that is happiness ; to fill the hour , and leave no crevice for a repentance or an approval . We live amid surfaces , and the true art of life is to skate well on them . Under the oldest , mouldiest conventions , a man of native ...
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action animal antinomian appears astronomy beauty begin to hope behold believe better Cæsar character chivalry church conversation creatures criticism debt of honor divine earth equal Eumenides exists experience express eyes fact faith fancy fashion feel flowers force genius gentleman gift give Goethe hand heart heaven hour individual intellect labor leave live look man's manners marriage ment metamorphosis mind moral morning namely Napoleon nature never NOMINALIST numbers object ourselves palmistry party persons plant Plato Plutarch poet poetry politics poor present Proclus Pythagoras religion rich secret seems selfish seneschal sense sentiment Sir Philip Sidney society soul speak speech spirit stand stars symbol talent thee things thought tion true romance truth universe virtue whilst whole wise wish wonder words Yunani Zoroaster
Populiarios ištraukos
16 psl. - Eor it is not metres, but a metre-making argument, that makes a poem, —a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.
37 psl. - Our log-rolling, our stumps and their politics, our fisheries, our Negroes, and Indians, our boats, and our repudiations, the wrath of rogues, and the pusillanimity of honest men, the northern trade, the southern planting, the western clearing, Oregon and Texas, are yet unsung. Yet America is a poem in our eyes ; its ample geography dazzles the imagination, and it will not wait long for metres.
133 psl. - The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem ; the shepherd, his lamb ; the farmer, corn ; the miner, a gem ; the sailor, coral and shells ; the painter, his picture ; the girl, a handkerchief of her own sewing.
12 psl. - For we are not pans and barrows, nor even porters of the fire and torch-bearers, but children of the fire, made of it, and only the same divinity transmuted and at two or three removes, when we know least about it.
45 psl. - There are moods in which we court suffering, in the hope that here at least we shall find reality, sharp peaks and edges of truth. But it turns out to be scene-painting and counterfeit. The only thing grief has taught me is to know how shallow it is. That, like all the rest, plays about the surface, and never introduces me into the reality, for contact with which we would even pay the costly price of sons and lovers.
63 psl. - If I have described life as a flux of moods, I must now add that there is that in us which changes not and which ranks all sensations and states of mind. The consciousness in each man is a sliding scale, which identifies him now with the First Cause, and now with the flesh of his body; life above life, in infinite degrees.
30 psl. - Hence a great number of such as were professionally expressers of Beauty, as painters, poets, musicians and actors, have been more than others wont to lead a life of pleasure and indulgence; all but the few who received the true nectar ; and, as it was a spurious mode of attaining freedom...
142 psl. - He who knows the most, he who knows what sweets and virtues are in the ground, the waters, the plants, the heavens, and how to come at these enchantments, is the rich and royai man.
70 psl. - A sympathetic person is placed in the dilemma of a swimmer among drowning men, who all catch at him, and if he give so much as a leg or a finger, they will drown him.
36 psl. - We have yet had no genius in America, with tyrannous eye, which knew the value of our incomparable materials, and saw, in the barbarism and materialism of the times, another carnival of the same gods whose picture he so much admires in Homer ; then in the Middle Age ; then in Calvinism.