An essay On the picturesqueJ. Mawman, 1810 |
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Rezultatai 1–5 iš 71
5 psl.
... striking manner , and in every style , from the most simple and rural , to the grandest and most ornamental . Many of those ob- jects , that are scarcely marked as they lie scattered over the face of nature , when brought together in ...
... striking manner , and in every style , from the most simple and rural , to the grandest and most ornamental . Many of those ob- jects , that are scarcely marked as they lie scattered over the face of nature , when brought together in ...
6 psl.
... strike him , from the recollection of scenes and pas- sages in such writers ; that in all these cases , the pleasure we receive from what passes in real life is rendered infinitely more poignant , by a resemblance to what we have read ...
... strike him , from the recollection of scenes and pas- sages in such writers ; that in all these cases , the pleasure we receive from what passes in real life is rendered infinitely more poignant , by a resemblance to what we have read ...
7 psl.
... striking scenes and characters , which might other- wise escape us in real life , and the works of genius in painting point out to our notice a thousand effects and combina- tions of the happiest , though not of the most obvious kind ...
... striking scenes and characters , which might other- wise escape us in real life , and the works of genius in painting point out to our notice a thousand effects and combina- tions of the happiest , though not of the most obvious kind ...
8 psl.
... his canvas : the second must consider the whole range of scenery , in which , not only the most striking pictures or compositions are to be shewn to advantage , but where all the intermediate parts , with all their bearings , 8.
... his canvas : the second must consider the whole range of scenery , in which , not only the most striking pictures or compositions are to be shewn to advantage , but where all the intermediate parts , with all their bearings , 8.
14 psl.
... striking and well combined , from the less interesting and scattered objects of ge- neral scenery : but they are in reality the general principles on which the effect of all visible objects must depend , and to which it must be referred ...
... striking and well combined , from the less interesting and scattered objects of ge- neral scenery : but they are in reality the general principles on which the effect of all visible objects must depend , and to which it must be referred ...
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Pagrindiniai terminai ir frazės
according admired animals appearance arbutus banks breadth broken Brown buildings Burke called Caravaggio character charm circumstances Claude clumps colour colours of spring Correggio deciduous deformity degree delight distinct effect equally evergreen plantation expression firs foliage fresh gardening Gilpin give grand grandeur ground harmony idea of beauty imitation impression improver intricacy kind landscape less light and shadow lines look manner means ment mind monotony naked nature neral ness objects observed opposite ornament outline painter Palladian architecture peculiar perhaps Picturesque Beauty Pietro da Cortona plantations planted pleasure prevail principles produced qualities of beauty racter Rembrandt Repton rich riety river rough Salvator Rosa scenery scenes seems sense shade shew shewn single tree Sir Joshua Sir Joshua Reynolds smooth soft spect striking style sublime sudden supposed symmetry taste thing tints tion Titian ture turesque ugliness uniform varied variety whole wood word
Populiarios ištraukos
190 psl. - The other shape, If shape it might be call'd that shape had none Distinguishable in member, joint, or limb ; Or substance might be call'd that shadow seem'd, For each seem'd either: black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
132 psl. - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
97 psl. - Looks through the horizontal misty air Shorn of his beams, or from behind the moon In dim eclipse disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
87 psl. - THE passion caused by the great and sublime in nature, when those causes operate most powerfully, is astonishment : and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror.
190 psl. - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart: what seemed his head The likeness of a kingly crown had on.
116 psl. - Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War...
51 psl. - A temple or palace of Grecian architecture in its perfect entire state, and with its surface and colour smooth and even, either in painting or reality is beautiful; in ruin it is picturesque.
89 psl. - ... of sublimity. But as the nature of every corrective, must be to take off from the peculiar effect of what it is to correct, so does the picturesque when united to either of the others. It is the coquetry of nature; it makes beauty more amusing, more varied, more playful, but also, Less winning soft, less amiably mild.
63 psl. - In our own species, objects merely picturesque are to be found among the wandering tribes of gypsies and beggars, who, in all the qualities which give them that character, bear a close analogy to the wild forester and the worn out cart horse, and again to old mills, hovels, and other inanimate objects of the same kind.
165 psl. - ... else has retired into obscurity ; it still forces itself into notice, still impudently stares you in the face. An object of a sober tint, unexpectedly gilded by the sun, is like a serious countenance suddenly lighted up by a smile ; a whitened object like the eternal grin of a fool.