An essay On the picturesqueJ. Mawman, 1810 |
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xxvi psl.
... leaves , not always preferred by The reasons Plantations made for ornament , the least suited to the painter , 265 The established trees of the country ought to prevail in the new plantations ... Note 266 ibid , 269 272 Larches , and ...
... leaves , not always preferred by The reasons Plantations made for ornament , the least suited to the painter , 265 The established trees of the country ought to prevail in the new plantations ... Note 266 ibid , 269 272 Larches , and ...
xxviii psl.
... leaves , or cre- ( ates , the greatest number of pictures ··· ...... 345 But the sickening display of art , and the total want of effect tempts one to reverse the line of Tasso ...... 346 Appendix ...... 347 Notes and Illustrations ...
... leaves , or cre- ( ates , the greatest number of pictures ··· ...... 345 But the sickening display of art , and the total want of effect tempts one to reverse the line of Tasso ...... 346 Appendix ...... 347 Notes and Illustrations ...
82 psl.
... leaves , a few hairs , are thinly scattered on their summits ; that light , airy , aspiring look of youth is gone , and both seem shrunk and tottering , and ready to fall with the next blast . Such is the change from beauty ; and to ...
... leaves , a few hairs , are thinly scattered on their summits ; that light , airy , aspiring look of youth is gone , and both seem shrunk and tottering , and ready to fall with the next blast . Such is the change from beauty ; and to ...
105 psl.
... leaves . The moss rose has the addition of a rough hairy fringe , which almost makes a part of the flower itself . The arbutus , with its fruit , its pen- dant flowers , and rich glossy foliage , is perhaps 105 Instance of their mixture ...
... leaves . The moss rose has the addition of a rough hairy fringe , which almost makes a part of the flower itself . The arbutus , with its fruit , its pen- dant flowers , and rich glossy foliage , is perhaps 105 Instance of their mixture ...
106 psl.
... leaves , which like those of the rose , are sawed at the edges , have those edges pointed upwards , and cluster- ing in spikes ; and it may possibly be from that circumstance , and from the boughs having the same upright tendency , that ...
... leaves , which like those of the rose , are sawed at the edges , have those edges pointed upwards , and cluster- ing in spikes ; and it may possibly be from that circumstance , and from the boughs having the same upright tendency , that ...
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Pagrindiniai terminai ir frazės
according admired animals appearance arbutus banks breadth broken Brown buildings Burke called Caravaggio character charm circumstances Claude clumps colour colours of spring Correggio deciduous deformity degree delight distinct effect equally evergreen plantation expression firs foliage fresh gardening Gilpin give grand grandeur ground harmony idea of beauty imitation impression improver intricacy kind landscape less light and shadow lines look manner means ment mind monotony naked nature neral ness objects observed opposite ornament outline painter Palladian architecture peculiar perhaps Picturesque Beauty Pietro da Cortona plantations planted pleasure prevail principles produced qualities of beauty racter Rembrandt Repton rich riety river rough Salvator Rosa scenery scenes seems sense shade shew shewn single tree Sir Joshua Sir Joshua Reynolds smooth soft spect striking style sublime sudden supposed symmetry taste thing tints tion Titian ture turesque ugliness uniform varied variety whole wood word
Populiarios ištraukos
190 psl. - The other shape, If shape it might be call'd that shape had none Distinguishable in member, joint, or limb ; Or substance might be call'd that shadow seem'd, For each seem'd either: black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
132 psl. - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
97 psl. - Looks through the horizontal misty air Shorn of his beams, or from behind the moon In dim eclipse disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
87 psl. - THE passion caused by the great and sublime in nature, when those causes operate most powerfully, is astonishment : and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror.
190 psl. - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart: what seemed his head The likeness of a kingly crown had on.
116 psl. - Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War...
51 psl. - A temple or palace of Grecian architecture in its perfect entire state, and with its surface and colour smooth and even, either in painting or reality is beautiful; in ruin it is picturesque.
89 psl. - ... of sublimity. But as the nature of every corrective, must be to take off from the peculiar effect of what it is to correct, so does the picturesque when united to either of the others. It is the coquetry of nature; it makes beauty more amusing, more varied, more playful, but also, Less winning soft, less amiably mild.
63 psl. - In our own species, objects merely picturesque are to be found among the wandering tribes of gypsies and beggars, who, in all the qualities which give them that character, bear a close analogy to the wild forester and the worn out cart horse, and again to old mills, hovels, and other inanimate objects of the same kind.
165 psl. - ... else has retired into obscurity ; it still forces itself into notice, still impudently stares you in the face. An object of a sober tint, unexpectedly gilded by the sun, is like a serious countenance suddenly lighted up by a smile ; a whitened object like the eternal grin of a fool.