The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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87 psl.
... term from a number of possible terms standing for related or overlapping concepts . All of these possible other terms for the phenomenon , however , stand in a relationship of contiguity and constitute what Douglas Hofstadter calls a ...
... term from a number of possible terms standing for related or overlapping concepts . All of these possible other terms for the phenomenon , however , stand in a relationship of contiguity and constitute what Douglas Hofstadter calls a ...
143 psl.
... term to the other simply to avoid repetition . What seems to draw the two terms apart in our collective usage is a need to account for two different kinds of possessions or attributes of the individual : those given by society and those ...
... term to the other simply to avoid repetition . What seems to draw the two terms apart in our collective usage is a need to account for two different kinds of possessions or attributes of the individual : those given by society and those ...
143 psl.
... term to the other simply to avoid repetition . What seems to draw the two terms apart in our collective usage is a need to account for two different kinds of possessions or attributes of the individual : those given by society and those ...
... term to the other simply to avoid repetition . What seems to draw the two terms apart in our collective usage is a need to account for two different kinds of possessions or attributes of the individual : those given by society and those ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write