The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 74
36 psl.
... simply any language used by the actor but language that “ uses ” the actor in speaking it . That is , dramatic speech is not there for its own purpose or end but to actualize the poten- tialities of the performer . The actor may be ...
... simply any language used by the actor but language that “ uses ” the actor in speaking it . That is , dramatic speech is not there for its own purpose or end but to actualize the poten- tialities of the performer . The actor may be ...
61 psl.
... simply through Hamlet's soliloquies ( " Why is this thing yet to do ? " ) but in the play's habit of interrupting a possible direct course ( like those of Macbeth or Othello ) and continually interposing delays in the form of subplots ...
... simply through Hamlet's soliloquies ( " Why is this thing yet to do ? " ) but in the play's habit of interrupting a possible direct course ( like those of Macbeth or Othello ) and continually interposing delays in the form of subplots ...
92 psl.
... simply learns who he is " ( Aristotle 1981 , 171 ) . I am moved to respond , like the Greek chorus , by saying that both sides have spoken well , they simply misunderstand each other . Hardison is trying to determine exactly what ...
... simply learns who he is " ( Aristotle 1981 , 171 ) . I am moved to respond , like the Greek chorus , by saying that both sides have spoken well , they simply misunderstand each other . Hardison is trying to determine exactly what ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write