The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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105 psl.
... ( signifier + signified sign ) becomes the signifier of a second . Barthes intends the diagram to apply specifically to mythological speech , but it seems to me versatile enough to tolerate other uses . One of the things the diagram can ...
... ( signifier + signified sign ) becomes the signifier of a second . Barthes intends the diagram to apply specifically to mythological speech , but it seems to me versatile enough to tolerate other uses . One of the things the diagram can ...
106 psl.
... SIGNIFIER ( Conventions + S / C ) II . SIGNIFIED " The nature of identity " Tangled hierarchy Stoppard's " Hound ... signifier is simply the stolen sign of the thriller suspense system , which is manipulated and exaggerated to the point ...
... SIGNIFIER ( Conventions + S / C ) II . SIGNIFIED " The nature of identity " Tangled hierarchy Stoppard's " Hound ... signifier is simply the stolen sign of the thriller suspense system , which is manipulated and exaggerated to the point ...
119 psl.
... signifier and signified ( Barthes 1972b , 133 ) . And this stretch- ing is what I am examining here in terms of ... signifiers and signifieds of drama which can never afford to repeat a precise signification ; it is a vital principle ...
... signifier and signified ( Barthes 1972b , 133 ) . And this stretch- ing is what I am examining here in terms of ... signifiers and signifieds of drama which can never afford to repeat a precise signification ; it is a vital principle ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write