The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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72 psl.
... sense could be thought of as a coinCIDence in the primary sense of bringing two causal chains together in a single event , like the indepen- dent " journeys of Oedipus and his father . Obviously , we are speaking in a metaphorical way ...
... sense could be thought of as a coinCIDence in the primary sense of bringing two causal chains together in a single event , like the indepen- dent " journeys of Oedipus and his father . Obviously , we are speaking in a metaphorical way ...
160 psl.
... sense in which charac- ters are made to say and do things because an absent author has willed it , or , to put it another way , the sense in which the author sends messages via the characters with or without their psychological ...
... sense in which charac- ters are made to say and do things because an absent author has willed it , or , to put it another way , the sense in which the author sends messages via the characters with or without their psychological ...
174 psl.
... sense , Chekhov's voice is not to be heard in the voices of his characters , nor are his characters instruments of clarification in the sense that Tesman frames Lovborg's achievement for our benefit in order to maximize the symbolism of ...
... sense , Chekhov's voice is not to be heard in the voices of his characters , nor are his characters instruments of clarification in the sense that Tesman frames Lovborg's achievement for our benefit in order to maximize the symbolism of ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write