The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 73
50 psl.
... principle in which virtually all the constructional subprinciples of the Poetics are nested . Once you start thinking about what a whole is and how a play achieves wholeness , you have to invoke the principles of metabasis ( a change of ...
... principle in which virtually all the constructional subprinciples of the Poetics are nested . Once you start thinking about what a whole is and how a play achieves wholeness , you have to invoke the principles of metabasis ( a change of ...
52 psl.
... principles as it is to separate plot from action . One might say that wholeness is a characteristic of the work , something the work possesses ( or doesn't possess ) and that mimesis is the act that brings the principle of wholeness ...
... principles as it is to separate plot from action . One might say that wholeness is a characteristic of the work , something the work possesses ( or doesn't possess ) and that mimesis is the act that brings the principle of wholeness ...
86 psl.
... principle Aristotle calls peri- pety occurs in many modes and manifests itself in different forms , not only as a device or the principle of reversal in the plot , but as a strategy through which the drama might directly or indirectly ...
... principle Aristotle calls peri- pety occurs in many modes and manifests itself in different forms , not only as a device or the principle of reversal in the plot , but as a strategy through which the drama might directly or indirectly ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write