The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 1–3 iš 41
13 psl.
... imitate , only that humans are more imitative and learn their first lessons through imitation . My primary concern here centers on how we might account for pleasure in imitation as something grounded in human nature . Since we are also ...
... imitate , only that humans are more imitative and learn their first lessons through imitation . My primary concern here centers on how we might account for pleasure in imitation as something grounded in human nature . Since we are also ...
14 psl.
... imitation teaches “ what kind a given thing belongs to : This individual is a So - and - so " " ( sec . 6 ) and that it is pleasurable to know this . I am not in the least denying that imitation is pleasurable and instructive , or ...
... imitation teaches “ what kind a given thing belongs to : This individual is a So - and - so " " ( sec . 6 ) and that it is pleasurable to know this . I am not in the least denying that imitation is pleasurable and instructive , or ...
27 psl.
... imitation in real life arouses either amusement or suspicion in the spectator , a good sign that it occurs on the behavioral fringe . Yet my imitation of Macbeth contemplating murder is really no stranger , in itself , than the words of ...
... imitation in real life arouses either amusement or suspicion in the spectator , a good sign that it occurs on the behavioral fringe . Yet my imitation of Macbeth contemplating murder is really no stranger , in itself , than the words of ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write