The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 1–3 iš 27
15 psl.
... imagine our anglerfish one day discovering its filament for the first time , like a child discovering its toes , and becoming simply enthralled by the beauty of all the variable configurations and symmetries that are possible with this ...
... imagine our anglerfish one day discovering its filament for the first time , like a child discovering its toes , and becoming simply enthralled by the beauty of all the variable configurations and symmetries that are possible with this ...
122 psl.
... imagine a version of Oedipus Rex in which Oedipus proceeds quite logically and temperately , without hurry or anxiety . Imagine Oedipus as a mature gifted man , a leader ( as Brecht might say ) with the wisdom of Solomon , the bravery ...
... imagine a version of Oedipus Rex in which Oedipus proceeds quite logically and temperately , without hurry or anxiety . Imagine Oedipus as a mature gifted man , a leader ( as Brecht might say ) with the wisdom of Solomon , the bravery ...
212 psl.
... imagine that it hovered in the vicinity of the catastrophic last scene of Shakespeare's play . Further , imagine that during the agony of Lear portrayed so mov- ingly by the actor — during , say , the incomparable line , " Thou❜lt come ...
... imagine that it hovered in the vicinity of the catastrophic last scene of Shakespeare's play . Further , imagine that during the agony of Lear portrayed so mov- ingly by the actor — during , say , the incomparable line , " Thou❜lt come ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write