The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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172 psl.
... idea without the teeth of its author's dramaturgic backing . It is not debated or countered by another idea but by a circumstance of life . One might claim that the theme of the destruc- tion of the forest parallels the destruction of ...
... idea without the teeth of its author's dramaturgic backing . It is not debated or countered by another idea but by a circumstance of life . One might claim that the theme of the destruc- tion of the forest parallels the destruction of ...
173 psl.
... ideas about the issue . Here , then , we do have a genuine debate , but the ideas being advanced come to the same fate as the idea of the vanish- ing forests in Vanya . They are simply the materials out of which the surface texture of ...
... ideas about the issue . Here , then , we do have a genuine debate , but the ideas being advanced come to the same fate as the idea of the vanish- ing forests in Vanya . They are simply the materials out of which the surface texture of ...
196 psl.
... idea changes the context , and changing the context affects the way the idea is understood , which in its turn leads to another idea , so that text and context evolve together in a constantly modulating interaction " ( Hayles 1990 , 128 ...
... idea changes the context , and changing the context affects the way the idea is understood , which in its turn leads to another idea , so that text and context evolve together in a constantly modulating interaction " ( Hayles 1990 , 128 ...
Turinys
Mimesis and Pleasure | 1 |
The Actor as Musical Instrument | 25 |
The Poetics as UrText | 42 |
Autorių teisės | |
Nerodoma skirsnių: 11
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht catastrophe catharsis causality Chekhov comedy concept course death drama Dramatic Character dramatist dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion O. B. Hardison occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Plot and Action Poetics possible principle probably problem produce protagonist Real Inspector Hound refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply speak speech stage suggests term Tesman theater thematic theme things Thought as Ventriloquism tion tragic vision ventriloquism whole word write